A Probe Into The Singing Style And Artistic Features Of Soprano Aria In Romanticism

The romantic period of the nineteenth Century is a glorious period in the history of European music development.Bellini,Verdi and as the representative of the romantic period of the opera in Italy has been on the world stage is a lasting classic repertoire.In view of the three great composers of the brilliant achievements in the opera creation,many of their works in the Opera Arias tone because of its beautiful melody,gorgeous change,forceful flexible rhythm and broad range of highly singing features,loved by the world singing and Bel students.This time the development of comprehensive,the background and the creation process of the three composers,through the analysis of the three composers part of soprano aria classical music and comparison of singer interpretation of characters,focuses on exploring the romantic period three composers singing style and artistic characteristics,hope for soprano the learners can provide some relevant theoretical knowledge and reference when performing such works.This paper starts with the background and development of Italy opera in the romantic period,and introduces the life and creation of Bellini,Verdi and Puccini respectively.Secondly,the author of singing in vocal music learning experience in the process,on the Bellini opera "Puritan" in "ears",his voice of Verdi's opera "La Traviata" in "he may be the person I want to see" farewell ",analysis of past dreams" and Puccini opera "Madame Butterfly" in the clear "a few days" this classic song music and singing.Finally,the analysis and induction of the artistic features of Bellini,Verdi and the soprano arias in the works of the works by the author of the paper,and the analysis of the artistic features of the soprano arias in the works of the works of the time of the works of the Chinese people and the.