Research On The Duel Narrative Of Construction And Deconstruction

The last century at the end of 70 s to mid 80 s,local painting once has become a mainstream trend in the artistic creation,especially in the southwest of the "scar art" and "local painting" in China contemporary art history occupies an important historical status and academic value.Although the local Chinese scar art,painting in contemporary art history only a few years time,but it is a process of visual transformation of a national ideology,become a channel of our understanding of the social history,cultural and ideological characteristics,the development of it and the new historical period Chinese closely together.However,it is still necessary for us to discuss the significance of the "local painting" and the "Xinxiang soil painting" in the history of the local culture.Since 90 s,although there is no obvious difference between Xinxiang's local painting and the local painting in the year of 80 s,the discourse mode of the local theme is completely different.In 80 s the local painting is more visual artist expression vector,works inevitably with the limitations of an individual,Xinxiang soil painting in 90 s is turning to the artists themselves around the daily life,this is precisely the local daily and in combination with the historical development of debris.Regardless of the two different levels of reference in Xinxiang and China,there is a kind of local consciousness.In recent years,contemporary art center of the experimental project to the country as emerging,but if the research and comb of local if merely listed in the description of the phenomenon and the literature,to study on the problem of "local" is lack of depth and direction.Both the art historians review for the history of art,or the relevant local exhibition,the local theme seems to have become a common concept of contemporary art history.This just ignore the local theme in the history of art at various times in its own direction,if the local problems in each period of combing clear local painting,painting and Discussion on Xinxiang soil after the rural construction cannot clear and thorough.With the emergence of the process of reverse urbanization,the relationship between art and rural areas has changed from the original performance to the local,from the static state to the interactive symbiotic creation.China contemporary local theme has experienced a historical process from one element to multiple expression image,this is exactly the same with the diverse development trend of contemporary art Chinese.From the performance of local to local,the relationship between art and the local has also experienced a process from static to interactive.In the city of contemporary art and the inverse multi pattern of development in the future,the relationship between art and the country will also appear more new possibilities,China contemporary art will also create a new way of more local discourse paradigm and local art intervention.This also means that the discussion and Research on the symbiotic relationship between art and local will continue to go on.