On The Application Of Changsha Kiln Ceramic In Modern Interior Decoration And Its Feasibility

Changsha Kiln ceramic is a place where global underglaze color started,playing an important role in the history of China ceramic.In the meanwhile,as a representative of Hu Xiang culture,it has deep artistic connotation and cultural depth,from which outstanding modern interior decoration designs learn from.In 2008,the government started to re-construct Changsha Kiln,but there is a lack of innovation for the ceramic products in Changsha Kiln,it is not a good way to develop Changsha Kiln by copying traditional products.Due to changes in modern lifestyle and multi-cultural integration,the relation between the traditional aesthetics and modern aesthetics is no longer just about succeeding and duplicating blindly,the development of Changsha kiln should meet the demands onaesthetics and lives of modern people.With increasingly awakening aesthetic consciousness of modern people,people’s demands of residence has changed from "dwelling type" to "home-type" and "ecotype",which makes people attaching great importance to modern interior space of living.At the beginning of this article,through the traditional aesthetic characteristics analysis of Changsha ceramic kiln,explore the inner spiritual culture and aesthetic value,the aesthetic essence of development of the Changsha ceramic kiln should absorb the traditional Changsha ceramic kiln,break the inherent rules and constraints,constructed in line with the modern aesthetic and the current social context of language,provides support for aesthetics application of Changsha ceramic kiln in modern interior decoration.Then,it made in-depth field investigation,and analyzed the current development status of Changsha Kiln,and also analyzed the factors affecting the renaissance of Changsha Kiln ceramic from five aspects,including the loss of traditional techniques,the break of the age of ceramic practitioners,aesthetics deviation caused by non-professional ceramic practitioners,the overall homoplasy of the product,modern lifestyle and aesthetics.In the following part,it illustrated the reasons why Changsha Kiln ceramic could be applied in modern interior decoration through three aspects: the universality of the application of ceramic in modern interior decoration,the application of aesthetic characteristics of traditional Changsha Kiln ceramic in modern interior decoration,and the integration relation between Changsha Kiln ceramic and modern interior decoration aesthetic tastes.In this article,it also used specific cases as well as extracted traditional Changsha Kiln ceramic elements to design again,so as to make analysis of the aesthetic requirements and scope of the application of Changsha Kiln ceramic in modern interior decoration,and then it proposed that in the application of Changsha Kiln ceramic in modern interior decoration,it should recover the original simplicity,to return to nature,and that the product innovation and development of Changsha Kiln ceramic should be suitable for the lives and aesthetics of modern people.At the end of the article,it made prospect of theapplication of Changsha Kiln ceramic in modern interior decoration,which expressed that integrating Changsha Kiln ceramic to modern interior decoration design is an effective way for the inheritance and development of Changsha Kiln ceramic arts.The development of Changsha Kiln ceramic gathered a large amount of social and cultural information,and explored deep into and refined the aesthetic value of traditional Changsha Kiln ceramic.The design philosophy of integrating traditional Changsha Kiln ceramic with modern design and modern taste is in accordance with the thoughts of artistic aesthetics in modern society.Bringing Changsha Kiln ceramic into modern life is the equivalent of the returning of Chinese traditional culture.