A Study On The Narration Of Domestic Animation Movies(2009-2016)

2009,a movie of "Pleasant Goat and Big Big Wolf's sky" breaks the state of“stagnant water” in domestic animation film market during last decades.In 2009--2016,the number of domestic animation film and the total number of box office in general are growing steadily,and domestic animation film production technology is also improving.In 2015,The emergence of animation film called “holy return” makes those investors see commercial potential of domestic animation film.Hence commercial capital begins to pour in to domestic animation film field.Domestic animation films between2009 and 2016 present new features in narrative aspects due to the seris of variaties.Therefore,approaching from narranology,domestic animation films presented beween2009 and 2016 are chosed as object of study,American animation films and japanese animation films are compared transversely,narrative features of domestic animation films in this eight years are discussed.The full text is divided into seven parts.Introduction,first chapter,mainly make overall descriptions to research situation of narrative study of domestic animatin films at present.In second part,current development situation of domestic animation films is simplely combed from three aspects,namely,box office,investing capital and tech of production.In third chapter,narrative structure of domestic animation films is studied,mainly from three aspects such as dramastic linear structure,conjugate clump structure and complete structure.In fourth chapter,narrative content of domestic animation films is analyzed from two aspects of subject diversification and character complexity.In chapter five,narrative symbols of domestic animation films are mainly discussed,the narrative features of domestic animation films in years from 2009 to 2016 are explored from lens symbol and drawing symbol.In chapter six,it points out narration variety of domestic animation films under environment of new medias,namely,narrative phenomenon cross-media in network.Features of cross-media narration in network of domestic animation films are analyzed from audience-centered,the interactivity and the adultification,analysis is made in terms of concreat case of “100,000 thousands of jokes”.Finnally,the narrative features of domestic animation films from 2009 to 2016 are summarized in conclution,and prospect is proposed.