The Li River With Chinese Landscape Painting Sketch Method Research

Guilin landscape is rich in natural landscape,the singular,profound interest,as a typical representative of pure and fresh,beautiful scenery,for the creation of Chinese landscape painting and provides a large amount of living material.Many of the modern Chinese landscape painting masters all the land in guilin left splendid China landscape painting works,and inherits the innumerable treasures,constantly affects the development and innovation of Chinese landscape painting.Based on modern guilin to sketch of Chinese landscape painting development context,the traditional painter huang and fusion of Chinese and western painters-Li Keran guilin sketch on the experiences of their artistic achievement and the effect of and how they affect the Chinese painting art form of guilin landscape,analysis of two kinds of spiritual connotation of artistic style.Huang and Li Keran two masters have linger Yu Guilin landscape,produced with the subject of guilin landscape regional characteristic of Chinese landscape painting works.Huang's BaGui hao swim figure ","folded brocade hill looking eastward","guilin sunny haze" and "ZiZhou misty rain",etc.,Li Keran of lijiang scenic spot figure,figure the lijiang river haze,"guilin landscape crescent hill" and "yangshuo" and so on works in Chinese painting reached insurmountable height.Huang life keep the fine tradition of Chinese intellectuals,"vigorous mail" concept of art as aesthetic purpose,deeply affected the development of Chinese landscape painting.Sketch,he twice to guilin travel more than 20 days before and after picture,hundreds of sketches,lijiang has attracted outside the painter in his works,also become guilin foreign cognitive image characterization,therefore guilin lijiang river in the 20th century Chinese landscape visual image is unable to avoid.Later than Mr Huang old man and his disciple Li Keran advocate in the nature,to the motherland magnificent rivers,sketch,lead the students to go to guilin has Mr Kai ta sketch,for three months,Mr Can be dyed emphasize don't meet the paint mountain beauty on the surface of the water meter,to excavate the deep hidden in the soil of pearls.Paper first chapter mainly discusses the guilin as the cause of the Chinese landscape painting sketch subject,first briefly describes the objective factor is derived from the local characteristics of guilin.Guilin landscape in the mountains and rivers in China is a representative,enjoy the "landscape jiatianxia guilin"reputation,guilin landscape is its shape,the mountain line is soft,gentle,good ideas from the water above the mountain everywhere.Secondly discusses the painter personal attracted by guilin landscape beautiful natural scenery,they indulge Yu Guilin between green mountains,and for this or her,left a rich artistic peak.Paper in the second chapter mainly discusses the traditional painters represented by huang and the fusion of Chinese and western type represented by Li Keran painters sketch works study of guilin.Huang with Chinese traditional culture and traditional Chinese painting techniques as the foundation of painting,was influenced by Chinese traditional culture,from the introduction to traditional Chinese painting,guilin landscape of the author's attention to ink technique,have a realistic style of painting.Fusion of Chinese and western painters Li Keran draw lessons from the western way of observation,retained the tool material and the form language of Chinese painting,the traditional Chinese painting techniques combined with western painting techniques,and the landscape painting as the creation of landscape painting,began to pay attention to the performance of the color and light,his works often have obvious regional characteristic and individual style,work presents the combination of Chinese and western painting style.Paper sketch experience for huang,the third chapter first discusses guilin Li Keran art practice exploration and accumulation and thinking,the impact of the second summarizes huang,Li Keran laurel sketch enriched and developed the Chinese landscape painting techniques and forms,etc.,promoted the guilin as the sketch and subjects for Chinese landscape painting,for guangxi art career,and has made certain contribution to the development of Chinese art.Thesis in the fourth chapter discusses the process of my sketches in guilin,huang and Li Keran two Chinese landscape painting and the influence of the enlightenment to me,master Mr Penn rainbow "vigorous mail" and can be dyed Mr "precious bravery,organized by the soul" with me every step of making a sketch footprint,constantly improve my pursuit of art.Paper,the fifth chapter mainly discusses the contemporary to guilin as the sketch of Chinese landscape painting development thinking,with the continuous development of guilin subjects of Chinese landscape painting,and the enlargement of its influence,more and more artists began to describe and study the guilin landscape,but still not formed a mature school.In Chinese landscape painting subject matter how to play the advantages of the guilin landscape,and formed by theme is represented by the school,need to contemporary artists common thinking and continuous efforts.