Research On The Creation Techniques Of Wang Danhong's Two Pieces Of Guzheng Ensemble

As a contemporary young composer of China,Ms.Wang Danhong has been active in the stage of national instrumental music and attracted worldwide attention in recent years.Most of the combination of Chinese and Western features in its process of creation,through to find the point of integration of traditional folk music and modern composition techniques,in-depth study and create a China national orchestral works of many popular,but also adds forward power for the creation development of China national instrumental music.Her works were created,have caused widespread concern,from the form to the theme and melody are intriguing,conform to no conventional pattern to give people the enjoyment of beauty.This article mainly takes the two zither zither works written by composer Wang Danhong,jadeite and desert rose as the object of study,analyzes and studies the two by combining traditional composing techniques with modern composing techniques.The first is a brief analysis of the overall structure of the layout of the first two ensemble works,and through the works of tonality judgments are added.Secondly,we classify and sort out the creative thinking and techniques used in the creation of two duet works,and discuss them from all aspects to the whole,from the macro to the micro.Finally,the music material and thinking mode in his works are further discussed from the ethnicity and epochal character of the two ensemble works.The author will study the composer Wang Danhong two Guzheng ensemble works of creative techniques as the core,through analysis of this two Guzheng ensemble works plain vulgar,can enhance their own creation in the theoretical foundation and practical ability,but also hope that we can contribute a bit to the development road of national instrumental music creation theory.The main part discusses the process of the main content is composed of five chapters: the first chapter;the second chapter two Guzheng ensemble works overall layout;the third chapter two Guzheng ensemble works and form;the fourth chapter two Guzheng ensemble works of other creative techniques;the fifth chapter Wang Danhong nationality and the times in.Study on the way of hoping to combine through the use of traditional methods and modern composing techniques to explore the composer in the creation of Wang Danhong way of thinking and skills,so as to further enrich the theoretical China national orchestral works,for the creation of national instrumental music way to inject new blood.