Black And White Coordination,the Existence Of Void And Reality

Under the background of Chinese history and culture over the past five thousand years,there are many different forms of artistic expression and techniques of artistic expression in Chinese traditional art,and the "blank space" technique belongs to one of these artistic expressive techniques.It is also an important part of the rule of formal beauty.Therefore,in the process of painting creation,the application of the technique of "leaving white" in the work can achieve the artistic conception of "black and white,the void and the reality".And this will inevitably contain some aesthetic ideas and aesthetic value of art,although in recent years,many painters will "leave white" techniques in the creation of printmaking is quite successful.However,due to the influence of the development of the times,the use of "white space" is not only a technique and means,but also a demand for an idea of enlightenment,which can achieve the effect that the audience can resonate with each other in the heart.The whole research of this paper mainly revolves around the expression technique of "leaving white" in print painting,and the aesthetic value of art.Through the elaboration of the connotation of "left white",the relationship between "left white" and composition is analyzed.In order to explore the "left white" in the art of art expression techniques,but also through the analysis of the "left white" in the copper print brought by the emotional expression and aesthetic expression;Summing up the influence of "leaving white" on the art of copperplate.At the end of the 20 th century,"leaving white" was widely used in contemporary printmaking,and gradually extended from woodcut to copperplate,and the composition thought of "black and white coordination,void and solid" was innovated,because This paper also analyzes the dialectical relationship between black and white,and the processing skills of black and white in composition.From the perspective of research,the use of the art of "leaving white" in printmaking is seldom studied.In the only literature,it is more about the art of leaving white in woodcut prints,and the art of remaining white in copperprints is at the angle of Feng Mao-ling.In terms of the quantity of research,Most of the research on the thought of "leaving white" has been applied in the fields of film and television,literature,traditional Chinese painting,etc.Therefore,this paper analyzes the use of the art of leaving white in the creation of copperplate.At the same time,it tries to analyze the expression technique and concept enlightenment of the Chinese copperplate art,so as to show the blanking technique to our country in order to make up the blank art research gap in the field of copperplate painting.The profound influence of copperplate painting,a new interpretation of the art of engraving.