| Installation art begins in Europe and the United States from the early twentieth century,became popular until the 1980 s in China.Du Shang,a representative of Dadaism,brought the ready-made products into the art museum and became a work of art,posing a new spiritual challenge to the later installation art.In the 1990 s,more and more installation artists chose to use a variety of emerging technologies to realize the meaning and value of their works,such as computer network technology and new media technology due to the update and development of computer technology.In this kind of device-supported installation,the viewer and the artwork do not passively enjoy the artwork as the traditional art,but the viewer actively approaches,participates in and appreciates the aesthetic brought to them by the artwork Feel Throughout the process,the viewer's interaction with the artwork becomes part of the performance of the artwork.This form of installation gives viewers a sense of modernity,playfulness,and excitement of engagement.It also adds another possibility to the development of device art,and the use of interactive technology has created a more varied representation of device art.This paper explores the interactivity of installation art by studying the characteristics of installation art and interactivity,combining the cases of interactive installation art.At the same time,we examine the artist's new creative thinking and the new aesthetic thinking of the viewer from the cultural background,discuss the significance of "rejecting the transcendental presence" to the contemporary installation art,and discuss and prospect the trend and development of the future installation art. |
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