The Artistic Analysis Of The Accordion Nationalization Work "the Impression Of Rock Paintings Of Yinshan Mountains-Hunting"

Accordion is a Western musical instrument derived from the folk instrument Sheng.Related to Chinese culture since the origin,accordion is merging with our deep national folk music culture during its development in China.Contemporary "Accordion artists" are using their works to turn the new chapter of nationalization of accordion in China.In the new century,how to form a "Chinese style" accordion music system and how to inherit the innovative "Chinese melody" have become the direction and goal of the accordion composers.The nationalization of accordion in China is not only a combination of Chinese opera culture and folk song,but also a way of presenting Chinese national music and culture by taking the form of Western music as the carrier."The Impression of Rock Paintings of Yinshan Mountains-Hunting" is the first ensemble of accordion and Orchestra,which was born in 1986.This work realizes the zero breakthrough of Chinese accordion symphony,fills the blank of accordion works without Symphony Orchestra accompaniment,and has also become the first work to interpret Chinese Folktales with a total diatonic composing method in China.This paper analyzes "The Impression of Rock Paintings of Yinshan Mountains-Hunting" written by Mr.Zhang Xinhua from nationalization of accordion.Taking the process of nationalization of accordion in China as research background,this paper makes a deep understanding of Mr.Zhang Xinhua and his artistic creation,carries on an artistic analysis to the work from background,music structure,characteristics and playing skills,and studies its artistic value.