Yinshan Rock Paintings And Painting Creation

In this paper, the artistic characteristics of Yinshan Rock paintings are discussed by analyzing the contents and painting style of the rock paintings. Starting with the study on the aesthetic and social value of the local rock paintings and the combination with the unique geographical features, living habits and the integrated modern concept, the author manifests the unique local characteristics and the profound connotation of the pastureland culture in the way of creating oil paintingsThe contents of the paper will be got more attention form the artists to the local cultural factors. The local natural landscape, cultural landscape and national cultures serve as widely-used painting subjects. Thus all the factors characterized by diversified local cultural features. The author develops and does a research on the local culture and eventually forms the unique artistic style of Inner Mongolia painting creation. The paintings not only retained the national culture but also blend with the contemporary art to make the Yinshan rock paintings become a vital part of Chinese art."The landscape series" refers to the creative source of the nomadic culture reflected by the contents of Yinshan Rock paintings. The series presents the natural harmonious real life of the ethic group by composing, lining, giving surface content of pictures and techniques of expression. The local unique geographical features are reproduced and fertilized to give way to the artistic creation."The landscape series" is a concrete form characterized by perceptual awareness of the particular landforms. The series shows the natural environment characteristics of nomadic life and pursues the goal of the unity of content and form and the harmony between man and nature. The most ordinary and commonly-seen livestock works as the linking line of "the landscape series". Using the technique of expression of oil paintings, the author presents the honest feelings of the ethic group by showing the simple grassland culture and living environment of the people. The author also shows the geographical feature of the grassland and ethnic culture with modern form of creating oil paintings. In this paper, the author aims at making more people who are keen on art know Yinshan rock paintings and study its cultural connotation. Thus through the paintings, the traditions and the local arts will be better understood by more and more people.