Emotion Given By Backlight

Light as the soul of painting,its direction,color and strength determine the style and personality of painting.Broadly speaking,backlight is divided into two types:full backlight and oblique side.The light is directly against the observer,and the backlight that is directly illuminated from the back of the object is called complete backlight.Under the condition of full backlight,only the edge of the object is irradiated by light,it appears that the contrast between the shadow and the shadow is very strong,forming a strong visual impact.The slant side light refers to the backlight of the object from the rear side of the measured object at the left 135 degree or the right 135 degree to the observer.At this time,the object's Backlight surface occupies 2/3 of the object's surface and its surface is 1/3.The addition of backlight to the painting can not only render the atmosphere,but also make the silhouette in the backlight full of form and drama.The artists of the ancient and modern times are constantly trying to interpret the subtle and rich changes in the objects in the backlight with their own painting,language.From prehistoric civilization to today,artists have never stopped researching and exploring how to show backlighting in painting.As Gombrich said,"no matter pure art creation or reproduction of nature,works of art can not be completely divorced from the creator.The nature of art reflects more or less the artist's heart,interest and joy,which reflects his mood.And the reflection and inspiration from the ancient and modern works of the light can let us analyze and summarize from different angles,and draw some creative and sublimation of creative experience and formal language.According to the advancement of the creative age and the analysis and summary of the representative works of the backlight in each period,it is not difficult to find that the backlight can be roughly divided into three kinds of creative thinking,which are unconsciousness,objectivity and subjective light.Proceeding from these three forms,we further explore the characteristics of backlighting and analyze the artistic value of backlighting works.Through the analysis,arrangement and necessary literature review of the Impressionist representative painter Monet and the old generation oil painter of Yunnan Liu Fuhui,the characteristics and main points are summarized,and then the similarities and differences of the two painters'contrastive works are found out by comparison,and the drawings are extracted from the conception to the drawing.The complete theoretical support of the works of backlighting.