From The Critique Of Inertia To Cultural Identity

Feng Jicai was one of the representative writers of the "Tsuki taster " novel.He called his part of his works "cultural introspection novels" and received widespread attention from academic circles.However,he was also controversial.In the novel,folk writing is an important direction of expression.Starting in the 1920 s and 1930 s,modern Chinese writers tried to use rational spirit to interpret the folklore that was closely related to the people and expose scientific superstitions.At this time,folklore is known as an important object of local novels.Therefore,under th e background of enlightenment culture,folklore enters literary creation.The writers have devoted their fieldwork and aesthetic orientation to the countryside,drawing on literary nutrients among the pieces of land,demonstrating the folk customs of ordin ary people in everyday life,and thinking about the value and significance of folk customs.In the 1980 s,Feng Jicai's creation focused on the geographical and cultural characteristics of Tianjin,from the series of "The World of Wonders" represented by "S hinwhip","Three-inch Jinlian" and "Yin and Yang Eight Diagrams" to the post-1990 s " In the series of novels from the world,he stands on the stand of enlightenment and expresses his thoughts on traditional culture;from the perspective of folk factors,he boldly breaks through the deep-rooted discourse category of the “May 4th type” enlightenment and reveals the forces of inertia with inferior roots.Confused;later because of the "cultural conscience" in close connection with the local color of a more com prehensive reflection of the culture.It can be said that Feng Jicai's enlightening attitude continuously reflects the consciousness and responsibility of being a writer and a “cultural person”.In addition to the epilogue,this article is divided into fou r chapters.The first chapter is the introduction.This part mainly discusses that the folk custom entering the literary works has a huge aesthetic effect.Chinese contemporary writers reexamine the folk custom under the background of rational enlightenment and regard the folk custom as the object they want to express.After Feng Jicai wrote a new breakthrough in folklore writing in the 1980 s,and faced with the powerful "attraction" of the May 4th rational enlightenment,Feng Jicai tried to open up a new p ath.He thought that blindly criticizing the bad root in our traditional culture was beneficial to enlightenment.But this too fierce approach may not be conducive to a correct understanding of our own culture.So he has to think further from the cultural structure than May Fourth.Finally,the research framework of this paper is established,and the research status and research background are briefly reviewed.The second chapter focuses on the series of fiction novels "Fantasy Stories" written by Feng Jicai in the 1980 s.They respectively discuss the image reflected by the folk imagery or the imagery with strong folklore,the feet and the yin and yang gossip.The intrinsic charms of the inferior roots,cultural restraint and cultural closed systems have ana lyzed in detail how the authors used them to reveal the deceptive side of cultural inertia and expressed his rational enlightenment position from different perspectives.The third chapter discusses Feng Jicai's series of “World Series” novels and other literary activities and cultural activities after the 1990?s.Through consciously shaping folk culture people and building a “cultural community” in folk context,the author shows that the author thinks that simply Looking at our traditional culture with a cr itical eye is not comprehensive.We need more self-confirmation.Moreover,in the process of writing “folk folks”,Feng Jicai also expressed the sense of powerlessness of the elites and the desolation of “Staying here and now”.The fourth chapter mainly fo cuses on the protection of intangible cultural heritage by Feng Jicai and its field activities in the discourse category of its folk writing.It also discusses the author's reflection and practice of our culture on the role of “action intellectuals” in the face of today?s cultural transformation.The cultural conscience and the spirit of responsibility as an intellectual.