A Comparative Study Of Gannan Hakka And Jiaozhou Yangko Dance "clown" Performance Form

“Clown” aka buffoon,is stylized role in Chinese drama art business,typically play gag,funn y,humor,funny comedy role.Always have“no ugly no play”.From work life form of visualization simulation and artistic representation of gannan tea-picking “clown” and is theresult of please and pleasure for the purpose of jiaozhou yangko“clown”,its performance of smile,a recruit a type wit h the iconic dress up,exaggerated movements,flexible performance,and banter sing mindful in a unique way of acting,and become an important and indispensable role in the dance performances,left a deep impression totheaudience,in the study of artistic style is important to explorethe value.With previous scholarsfor tea plucking jiaozhou yangge role of research,more focus on unilat eral study and the lack of to the comparative study of different region in the same role,the existen ce of one-sided.Because of the folk dance culture has its unique art form,reflects the style of danc e,dance culture,dance movement law,posture and movement,etc have similarities and differenc es.So-called "regional differences,different culture,different dance rhyme".This paper USES lite rature method,comparison method,dynamic cutting method and dance performances,geography,environment and aesthetics theory principle,the two "clown" in the dance dance performances,a multi-angle comparison of regional culture and dance implication,goal is the art of dance of differ ent regional role performance analysis,summary,and generalizations.Summed up the "clown" de velopment of the track of the formation and role in the dance,and in different geographic environ ment and different perspective of dance style,form,aesthetic,and make analysis and interpretatio n.To inheritance and carry forward the folk art,folk culture has the vital significance,is also the tr aditional culture,traditional art inheritance and interaction.This article is divided into four chapter s,the main content is as follows:Thefirst chapter: according to consult literature and research achievements of predecessors,"clown" dance history of traditional opera artform,the law of development and elaborates the role in the performance and analysis.The second chapter: the influence of geographical environment on the folk dance dance.This chapter USES the method of "dynamic cut" anddance performance,the principle of the gannan tea-picking and jiaozhouyangko "clown" performance form and its causes in extraction,analysis,induction.The hird hird chapter:usitng the perspective of regional culture,sort out the gannan tea-pickingand jiaozhou yangko “clown” dance performance attributes of culture,to produce "mountaineer culture","central plains" culture,"farming culture" and "Confucian culture" and is back.The fourth chapter:the dance aesthetic visual Angle of “clown”dance artistic conception anAlys is,emphatically is,emphatically analyzes the easygoing witty humor of jiangxi tea-pic king "clown" dance performances and a solid and gentle,simple and easy jiaozhou yangko "clo wn" dance performances in dynamic performance and aesthetic implication.“Clown”role in jiangxi tea plucking and jiaozhou yan gko performances in the irreplaceab le position,through reviewing both folk dance "character" of the comparison of the style and ae sthetic,learned.