Prokofiev's "Piano Concerto No. 5" Research Techniques

Sergey Sergeyevich Prokofiev, who has(Sergey Sergeyevich Prokofiev, 1891-1953) is the first half of the 20 th century in the former Soviet union outstanding composer, pianist, conductor and has a pivotal position in the western musical history. His work almost covers all forms into music genres: chorus, opera, ballet, movie, piano music, concerto, symphony, chamber music, vocal music works, Especially the concerto works throughout his career, and its important status. In this paper, the author studies on the piano concerto no. 5 is the Prokofiev abroad to create a great work, in this work is a blend of the Prokofiev’s early music creation concept and later is unique, his inheritance of traditional music and the innovation of modern music is also focused on the work.This papers, taking the piano concerto no. 5 as the research object, the main part of the full text is divided into three chapters: the first chapter is divided into three, respectively, tells the story of Prokofiev’s creation course four times and his creative concept and the background of his works. Prokofiev’s creation concept is divided into two sections: the first section is from Prokofiev’s performance to the inheritance to traditional music and traditional music language of influence on him; From Prokofiev in the second quarter the embodiment of the innovation of modern music do in full, and his outstanding contribution to music in the 20 th century. The second chapter to the fifth piano concerto the melody structure analysis is given priority to, can be divided into three, the former two respectively from five movement forms were studied, respectively from the standard form, the intermediate form and free combined form the division of three kinds of narrative, and reproduce, tied for the application of the principles of organization, clarify Prokofiev in the formal structure of thinking and the use of unique technology. The last section from the connection between the five movements sees internal organizational principle, they explore the Prokofiev between the movement towards creative thinking skills were divided into four sections, in the third chapter to the fifth piano concerto the character creation techniques as the research object, from the fusion of functional and non-functional harmony, melody features, theme development technique and instruments technique as a object, further analysis and explore the Prokofiev’s unique creation technique characteristics. To make people better understand the creation of the Prokofiev techniques and his many excellent works of contemporary and the profound influence of the nowadays.