| This paper intended to deepen the understanding of the contemporary ink language situation through the analysis of the contemporary representative painters' ink language.During the personal creative work, by the learning and reference of some painters' personalized ink language, the core of this paper lies at trying to creative ink language which is accorded with contemporary breath and pass on the author's artistic thinking and instinct source. This paper is divided into three chapters.The first chapter mainly discuss the historic culture context of the contemporary ink and washing figure ink language's development. Throughout the history of the artistic development is the procession of the inheritance, innovation and creation. Only by ceaseless innovation and creation could the art be established in an invincible position; the collision of Chinese and western culture impel the painter to make a deep thought about the current situation, the thought of pursuing the new and difference need to be expressed by ceaseless innovation of the ink language. The contemporary ink and washing figure paintings have presented diverse styles and sects, especially show spacious room in the aspect of the ink language's diversity. Above three aspects constitute the historic culture language situation of the contemporary ink and washing figure paintings' language development.The second chapter mainly hackle the personalize ink language of the contemporary ink and washing figure painting. Take the Tian Liming's light ink of the smoke and mist, Liu Qinghe's constrain and humor, Zhang wang's quiet ink and wash and Li Xiaoxuan's free ink as examples, this paper carry out meticulous analysis.The third chapter mainly discuss the individual learning and reference of personalized ink language during the individual ink and washing figure painting creation. The ink's free drawing, rhythm and integral distinction of black and white is the individual main exploration. |
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