Explore The Existence Of "body Taste" In The Study Of Folk Dance Creation With The Work

The paper to put in "school" in the context of Chinese ethnic and folk dance, compiled a record of exploration and research, to "good taste" as the keyword entry and to self-directed from the dance of the same name research hall works "taste", demonstrate a common "taste" in the folk dance series record of price value and cultural continuity. This paper presents the "body taste", is produced under the "emotion" and "style" added insight. Dance can not be separated from the body, the classic dance can not be separated from the taste. This is the reason for the conclusion, is more concise and comprehensive exact our school folk dance due to. I to "body taste" angle to explore folk dance creation idea, is in order to folk dance culture into the creation of their own dance. Although it is a sensible starting point is adding a rational thinking, to rub against each other, hold exclusive folk dance most precious "emotionally moving" that part is not deviate from the Pope. Only with respect to the taste of the folk dance culture, can the most authentic reaction and the reaction of the dance body be the most close to the body. Repeat the idea is not the type of stylized, but the record compiled some of the effective resistance to the enlightenment thought.With respect to current choreography development basically is to practice first, the theory is as dance review or summary form appeared in the public view, dancers less support text to guide your own creative choreography logic, especially as non director department of our's ease of use experience with the feeling to be creative, but in reality is often get twice the result with half the effort. Especially to the folk dance but also to retain the traditional but also the pursuit of innovation, how to create ideas can help us find the support of the rational, and more close to the director of the emotional intention is a difficult. Cognitive better use this how the body taste "way of thinking in the folk dance creation, how in the practice for the theory development to be effective and is in self-directed from develops the small dance reflected, not only thoughts on the topic of a work caused, but not an armchair strategist difficult to implement. These will be in the exploration of this thesis, slowly repeatedly clear train of thought for further study of Chinese ethnic and folk dance and arrange the create ideas foreshadowed.