Stage Transformation Of Korean Folk Dance Body Languag

Taking the Korean traditional folk song and dance "Ganggangsuwollae" and the Korean stagecreative work "Xing" as the research object,this paper analyzes and summarizes the creative conceptfrom "Ganggangsuwollae" to "Xing",the spatial transformation from local to theater,the bodytransformation from the integration of song,dance and game to pure dance,the meaningtransformation from similar signifier to different signifier,and the aesthetic principle transformationfrom "Ganggangsuwollae" to "Xing",This paper expounds the process from folk custom to creation,and tries to present a relatively complete personal dance creation notes.The first part focuses onclarifying the historical origin and artistic form of "Ganggangsuwollae",which is linked to the creativeconcept of the degree work "Xing".The second part starts from the real space and imagination space,and analyzes how the author completes the transformation from "Ganggangsuwollae" to "Xing" inpractice.The third part focuses on the dance noumenon and focuses on describing the transformationmode and process of the body,including dance scheduling,dance vocabulary,clothing props and so on.At the same time,with the help of linguistic research methods,this paper analyzes the differentsignifiers behind the dance language signifier,and interprets the relationship between similar signifiersand different signifiers in "Ganggangsuwollae" and "Xing".The fourth part summarizes the aestheticprinciples of "Ganggangsuwollae" and "Xing" from the constraints of time and space changes,performer identity and facing the audience.