An Analysis Of The Performance Of Uighur Dance "Alma Khan" Works

As is known to all, the characteristics of ballet is to achieve generalization of high precision, by dancing language, expression and rich emotion of the characters, the ballet has strong lyrical color. At the same time, in the dance of the vivid, the image of the show, making the dance language is reflected vividly. In addition, to complete the creation of dance drama scripts and the director's plot, coherence of music, fine with choreography and actors subjectivity presented. The ballet dance in repertoire, in nature, the content and the bearing performances are different. In particular, there is a certain degree of difficulty in the characterization of the characters, a very test of the comprehensive ability of dancers. The author in this paper to large-scale song and dance drama "in that distant place" in dance segments "Altamaha" practice experience as the breakthrough point, to further explore how to shape the characters from the ballet. Try through research, explore the shaping of the characters dance, choreography and performers in characterizing and shaping the vivid characters provide theoretical basis and worthy of reference and draw lessons from the method, to improve the art of dance works characters and enhance the performance of dance art and appeal, make the choreography and performance more vitality. Work choose image of Uyghur girl, carries on the artistic creation, try to use the theoretical analysis and practical demonstration, refining is suitable for the characters work situation.Props, head scarf, and adopted the life in the use of props, props and emotion how to deal with the emotional expression and props how to reflect, also is the focus of this article practice choreography and thesis writing.In addition, as a result of the work of art groups, how to successfully shape the image of the characters has been bothering me. I think the vivid characters is shaping up to be a successful dance works key, and figure shaping the keywords to rely on the director and actors work together. First of all, through the choreographer on the image of the abstract imagination,the initial formation of the prototype image in the brain. Then, through the language, the body and the specific circumstances to the actor. In addition, the actor through his years of experience and the ability to image the abstract image of the specific, and I think this process is very difficult and worth exploring.