On The Creation Of Female Images In Contemporary Chinese Figure Paintings

China brushwork figure painting has a long history, is the world's oldest painting art, Painting with fine brushwork to depict things refinement, give artificial whole, exquisite, strict sense, while the female as the subject matter of painting is an important branch of traditional, China traditional painting in the history, with the female as the subject matter of painting it is It is often seen., occupies an important position in painting. Since the Tang Dynasty, China ladies painting has been an unprecedented development, with Zhang Xuan, Zhou Fang as representative of painting, painting is the noble women, reached the peak on the development history of painting. Compared with the Tang Dynasty Song and Yuan Dynasties, works have declined in quantity and quality. To the Ming and Qing Dynasties two generations, painting a frail woman style, and create another peak ladies painting history.Since the reform and opening up, with the influx of western culture in order to shape the image of women, many fine brushwork and the formation of the contemporary artists have emerged, and it works each have their own style, For example He Jiaying's " autumn night", Hou Guoliang's "Nineteen world", Confidante Liu Dawei "sunshine" etc.. Their works in the traditional basis, integrating elements of Western painting, compared with the traditional female images, has undergone tremendous changes, this paper will study the works of these artists, combing the traditional female image transformation and uncover the contemporary female image shaping this veil of cultural connotation.