Research On The Development Of Freehand Brushwork In Contemporary Opera

Chinese opera painting is Chinese through the form of painting to reflect Chinese opera art, drama and painting had become attached. In the traditional folk custom, the folk art which uses the stage opera character as the core everywhere. The use of Chinese painting to the performance of the opera, in the Ming and Qing Dynasties has been a painter to try, but the number is relatively small, it is difficult to form a certain scale. In into the modern era, integration of Chinese and Western culture, especially combine the Chinese ink painting taste and western scientific methods, artists began to re-examine the direction of art. In the modern freehand figure painting appeared Xu, Liu Haisu and Zhaohe is representative of the mildly reformist master, also appeared in the master the art of Chinese and Western ideas of Lin Fengmian, under the guidance of their Chinese painting appeared a new round of reform. Guan Liang is a traditional Chinese painting as its own creation of the painting subject matter, the use of Chinese painting in the form of expression of opera, so that in a certain extent, is conducive to the distinction between the literati painting. In this there is intermittent painter uses the form of Chinese painting to express the opera, also in the depth of the works also in the continuous extension of, these works not only reflects the traditional painting but also reflects the modern art of painting a variety of.In this context, traces the history of the development of the Chinese opera, pay attention to Chinese opera painting in the present situation of the development of contemporary is an important topic of contemporary art history research, depth analysis of the opera is concerned, summed up the opera freehand figure painting development trend and influence.This paper is mainly from the aesthetic generality of opera and freehand brushwork figure painting of carding the development of contemporary Chinese opera figure painting and contemporary Chinese freehand figure painting development present situation and reason of analysis, and gets the conclusion that the Chinese opera on the impact of contemporary figure painting freehand. This article is divided into six parts, the first chapter is the introduction of the research content, research status and so on to do a basic summary and induction. The second chapter is from the aesthetic generality, dependence of analysis the opera and freehand brushwork figure painting of the relationship, chapter three through opera figure painting formation background, Guan Liang and Lin Fengmian as the main representative of the artist illustrated were detailed list of comparison of opera figure painting development are discussed. The fourth chapter describes the influence of traditional freehand figure painting on traditional freehand brushwork figure painting by traditional freehand figure's pen, ink and line. The fifth chapter is the analysis of the opera with freehand figure painter and research. The sixth chapter summarizes the innovation and influence of traditional Chinese opera freehand figure painting from the aspects of theme, language and so on. In summary, this article attempts from the different angle of view, with the aid of to a lot of art research, summarizes the opera figure painting freehand brushwork of Chinese painting influence and Inspiration of our painting creation.