Between Tradition And Innovation

On the premise of looking at the art history as a whole and looking at the modern and contemporary Chinese painting world,we can find that ink figure painting pays more attention to the expansion and innovation of painting language than other types of Chinese painting in the same period.From Jiang Zhaohe to Liu Wenxi,Zhou Sicong,Yang Zhiguang,Huang Zhou,Fang Zengxian,Yao Youduo,etc.under the influence of Xu Jiang system,and a group of people from the first graduate class of figure painting after the reform and opening up,many figure painters are committed to the development and exploration of figure painting.Through the integration of Chinese and Western painting and creative practice and theoretical thinking,they have gone through several stages Ten years of exploration and efforts have formed a multi dynamic development trend of contemporary Chinese ink figure painting.It has made unremitting exploration and innovation from different aspects such as theme,creative perspective,ideological and emotional theme type,picture aesthetic orientation and so on.Therefore,it has brought development and change from the overall presentation of picture language to specific language elements and other aspects,forming a multi coexistence and another at present The dynamic development of this integration.Jiang Zhaohe's artistic achievements were widely recognized at that time at home and abroad.Between Chinese ink painting and western realism painting,he used his own theory and practice to build a bridge for future generations to learn from.In the era of various art schools including realism,this paper takes Jiang Zhaohe's study on the language of ink figure painting as the starting point,discusses its inheritance and innovation of tradition and its leading and enlightening significance to the later generations' innovation consciousness,which can enlighten us to understand the relationship between tradition and innovation in art history more deeply and grasp the development direction of contemporary ink figure painting better ?On the premise of looking at Chinese and foreign art history as a whole and focusing on tradition and innovation,this paper discusses the traditional and innovative features of Jiang Zhaohe's ink figure painting language system and the significance of the influence on the inheritance of tradition and the pursuit of innovation in thedevelopment of contemporary ink figure painting language.The paper is divided into six parts.The first chapter is the introduction part,which mainly introduces the research background,research significance,research content,research methods,chapter structure and so on,and roughly defines the related concepts.The second chapter discusses the language system of Chinese traditional figure painting,which was established by Jiang Zhaohe and realized the transformation of Chinese traditional figure painting.The third chapter mainly discusses the creative perspective of Jiang Zhaohe's ink figure painting,which is different from traditional figure painting's creative perspective of avoiding reality and facing the middle and lower class people and their suffering tragedy at that time.Creative perspective runs through the whole process of artists from artistic experience to artistic conception and artistic performance.To study artistic language,we cannot avoid the discussion of creative perspective.On the whole,the creative perspective of the works that can be seen now handed down from the traditional Chinese figure painting maintains an amazing unity.This situation has been completely changed since Jiang Zhaohe,and inspired the selection and attempt of creative perspectives of various angles and levels of contemporary ink figure painting.The fourth chapter mainly discusses the relationship between traditional and innovative elements and the relationship between tradition and innovation through the analysis of specific works.Chapter five,as mentioned before,the significance of Jiang Zhaohe's language innovation in Chinese ink figure painting lies in connecting the past with the future,opening up a new cognition and vision with his widely recognized artistic achievements,and more importantly,providing the later generations with examples and courage to insist on innovation.Since then,all different schools of Chinese ink figure painting have inherited or deviated from them,unable to completely separate their theories from each other Practice and its influence through the teaching system,so this chapter briefly discusses the development status of Jiang Zhaohe's later,especially the contemporary Chinese ink figure painting language from one to multiple dynamic existence and integration,in order to have a more comprehensive andin-depth understanding of the relationship between tradition and innovation in the development of modern Chinese ink figure painting language.The sixth chapter,summary,and some superficial thinking.