The Exploration Of The Characteristics Of The Stage Performance Of Contemporary Chinese Folk Dance

Since ancient times, folk dance entertainment in people's lives in the account for a large proportion. Dance Culture in construction, folk dance folk dance culture is the most solid foundation, folk dance culture is the most important part, continue to stimulate the vitality and vigor of all ethnic groups. Chinese folk dance and proven history of accommodating time, back and forth several times reincarnation, completed the transition from folk to stage performances in the form of self-entertainment. Eve of the founding of New China, "stage" of the folk dance began. In which it experienced a setback with vitality forward again, many of the dancers to the original ecology of traditional folk dances for the material, the creation of a rich folk stage productions.Due to differences in development of the state and society in different periods, folk dance performances and Creation will exhibit different characteristics. The papers will be 1949, so far as the time interval, the contemporary Chinese folk dance stage performance is divided into three stages of development, from the Chinese Han, Dai, Tibetan three ethnic groups start at each stage of the classic folk dance piece, based on available information and information, combined with the dance video works, video, dance analyze its content, style and structure of dance, stage art, dance, music, etc., in order to explore the Chinese folk dance stage performance as reflected in the creation of a specific period features. And on this basis, summarize, learn and spread folk dance creation of successful experience, avoid innovations during the problems, put forward some reasonable suggestions about folk dance of creation, in order to improve the quality of future folk dance works to promote Chinese folk dance for the better development efforts.Thesis is divided into four chapters, the main contents are as follows:Chapter One Introduction. In this section among the first out the rationale for and significance of this thesis topic; secondly, set out the current research status of domestic workers to dance this subject with the subject and related research; and finally, made it clear that in this paper innovation and research methods used in this research.Chapter ?:Chinese folk dance stage performance review of the background. This chapter explains two aspects of folk dance stage performances before. On the one hand, indicating folk dance, folk dance stage these two concepts so that readers understand the difference and connection between the two, and thus understand the basic situation of Chinese folk dance performances; on the other hand, introduced before the 1949 Chinese Folk Dance development of stage performances, and lay the foundation for the following research.Chapter 3:Characteristics of Contemporary Chinese Folk Dance stage art performances. As the main part of the paper, chapter 1949, has three stages:1949s to the end of the 1970s, with the founding of New China folk theatrical performances to enter a new era in history, have sprung up have emerged stage folk dance works; XX. the early eighties to the late nineties, stage performances to folk turn of the century, Chinese folk dance performances continue to absorb new techniques and elements of continuous development; since the early 2000s, with the creation of folk stage performances in at the same time we continue to prosper in multicultural exchange, the most attention to the true and most pristine national style reflected in his works. In three historical stages, they will once again time to refine, then choose 1-3 in the period produced the classic folk dance repertoire (Han, Dai, Tibetan), and a detailed analysis of these works, which summed up three different historical stages Folk dance creation characteristic.Chapter 4:Consideration of folk dance stage performances. According to this chapter of contemporary Chinese Folk Dance Creation different characteristics at different stages of creation, induction and sorted out so far I believe that the creation of folk dance most successful experience and some of the issues that should be avoided, and some suggestions for the problems for dance workers to create more and better works and folk dances committed.