Sea Male Research

Hai Nan as a writer of high yield is also a atypical feminist writer. Her poems and novels in her late period are beyond the scope of feminism in her own system of writing and literary style. Her writing style system is closely linked to her life course. In this paper, we analyzed her diversity of writing based on the geographical and cultural environment, life experiences and concept of era, combined with common content themes, characters and writing style in her novels and essays to obtain a whole picture of the writer. This paper is divided into four chapters.Chapter 1:Introduction. It consists of two parts:research summery of Hai Nan; the purpose and significance of the study in this paper.Chapter 2:The basic situation of Hai Nan in real life and her creative psychology includes the writer's early life experiences and the writing psychology affected by such experience mainly represented by death complex, Electra complex and drift complex and so on. In Hai's novels, almost every hero facing living predicament has only two roads to choose from, death as a relief or carrying their luggage from home. The male characters in her works not only have the nature of man, but also have father- and brother-like warmth, which are the reproduction and processing of psychological experience from real early experience and this is her expression for self-spirit. At the same time it also affects the main writing objects of Hai Nan:women-human emotion and region-history culture.Chapter 3:The concerns about Hai's writing content with female consciousness include trying and fighting. The rise of female consciousness and female writing is an important phenomenon of Chinese literature in the 1990s when Hai Nan was a representative writer. Hai Nan, as a woman, boldly expressed female secret life experience from the perspective of pure female consciousness and female desire, and built a female space starting from female body. In most of her novels inter-sexual relationship and women experience are deeply interpreted and discussed, and women are no longer a vulnerable group without any speaking right and they become independent individuals, can freely choose their own life and meet their own desires. At the same time, she broke concern limit on female fate, rising to the level of attention to the destiny of men and even human beings, full of life feelings. Her feminist writing affected by the concept of gender awareness in the 1990s, has her own unique style beyond routine. Therefore, she is an atypical feminist writer.Chapter 4:In Hai's creation of works disseminated by regional culture, the objects concerned include her travelling in and return to Yunnan. This is mainly reflected in her deep hometown feelings and mysterious awareness of fate. Hai Nan is a native of Yunnan and her growth and writing are inseparable with this land where is full of magical color and cultural integration. Hai Nan claimed to be the witch on the earth of Yunnan, and her works are also known for the color of witch. In her novels and essays description of regional culture of Yunnan can be easily found. Strong local color and sense of fatality affect the fate of the characters, showing her recognition of and return to hometown culture and spiritual home. This is so called "Each place has its own way of supporting its own literature". Hai broke through her identity as a feminist writer, and became a representative of Yunnan local culture.In this paper based on carefully reading the text of Hai's works, we analyzed the text to explore the spiritual footsteps of the writer for better approaching the "diversified writer" and then carried out structured research on the writer from a holistic perspective by applying the theory of psychology of literature creation, female psychology and psychoanalysis as well as the relevant knowledge of geographical research of sociology.