Flute Player Jian Guangyi, Yu Xunfa, And Li Datong Stage Performance Research

Stage performance is an important part in the beauty establishment of flute music performance,and China covers a vast territory,with a larger number of ethnic groups,different flute music styles and flute musicians with unique characteristics all over the country,who together constitute the style of diversity and unification of China's flute music culture.In this paper,the author selects three contemporary musicians for case analysis who,with their own representative performing styles,have a far-reaching influence on local and even national flute music styles,genres and aesthetic tastes of performance,finds out the commonality and difference,combs and summarizes the inner artistic rules and music appearance and interviews relevant flute musicians and their friends so as to confirm and support the views of this paper,hoping to play a certain role of awareness and reference for the integration among the diversity of rich flute characteristics,the pursuit of stage performance and aesthetic philosophies.Flute music refers to the musical system with flute as a device to carry human images.In this paper,the author selects three performers living in the same age with a wealth of experience in stage performances and great reputation in the field of flutes,Mr.Jane-Guangyi(late),Mr.Yu Xunfa(late)and Mr.Li Datong and studies their unique flute music works,performance styles,playing styles,technical skills,aesthetic concepts and so on shown on the stage with the purpose of comb and summarize typical representatives,special characteristics,basic paths and so on of Chinese flute art during that period through an exploration of typical but different players.For Mr.Li Datong,who has been still active on the stage,we look forward to his greater glories in the future.To begin with,the author explores the stage performance of music,the nature of stage performance,the ontology characteristics and principle of beauty establishment of stage performance,and principles of instrumental and stage performance to lay a foundation for case stud.Then,the author introduces aesthetic concepts,methods,means,content of music performance as well as psychological,emotional,sound,spot and other regular standards and with them as reference and explores the diversity of flute stage performance characteristics and commonality of aesthetic pursuit through case studies.Then the author summarizes the rules from individuals to groups,from special cases to general cases,from point to surface,from local cases to regional cases,from the player's personal characteristics to the overall characteristics of the national culture through the analysis on representative performers.Then,the authors adopts theories of performance psychology,music aesthetics,Music performance aesthetics and other disciplines for analysis and understanding of the practice of cases of flute stage performance and conducts a comparative study on the stage performances from three performers so as to grasp the laws and feel the whole situation.Music stage performance is a creative,time-space and irreversible form of artistic performance.In the second chapter after introduction,the author first answer the question what is stage performance and the relationship between flutes and stage performances and then gives a multi-angle description of the relationship between the flute and the stage,the development history of flute stage performance,recreation and the three-dimensional relationship among the author,the player and audience of the performance.In the third chapter,the author takes three players for example and analyzes the common and special laws of flute music stage performance and interviews Professor.Li Datong,Professor Cai Jingmin and Professor Fang Guangyao later during the course of writing.Then,the author studies and compares the performance laws and artistic characteristics of the three subjects with the analysis on the works,skills and aesthetic concepts and under the guidance of theories of music performance.In the fourth chapter,the author summarizes the diversity and commonality of the stage performance from these three performers.In the fifth chapter,the author sums up experience and proposes some suggestions from the perspectives of previous preparation,the best condition of flute in the dance performance of the performance of the flute stage,the performance of the flute stage performance,after performance and daily practice in combination with the author' s flute music learning.In the process of writing,the author,through interviews,extensively collects and studies relevant books,papers and manuscripts and other literature related to music performance aesthetics,flute stage performances,case analysis and others.The author preliminarily combs the artistic achievements of the three flute musicians,summarizes the local-whole and special-general laws by use of concepts of the music performance aesthetics and finds the causes for the characteristics of performance styles through audio and video,photos and investigation reports,hoping to gain new perspectives and understandings on the studies of the flute stage performances and provide some theoretical reference for the future performance of the author and others,provide some feasible and specific training methods in the field of teaching and combine with flute stage performance to improve the aesthetic qualities of the author himself,the audience and other flute performers in the field of aesthetics.