On The Innovation Of Wang Guowei's "Human Words" Realm On Chinese Aesthetics

In this paper,the author points out that the "artistic conception is the Chinese variant of German aesthetics" proposed by Mr.Luo Gang,especially in the view of Wang Guowei's "dominant research model" The theory of mood is "the myth of doctrine" and so on based on "postcolonialism-influence research" inferred from the point of view,-trying to put forward a different view to Wang Guowei's realm that defense,focusing on the realm The "aesthetic innovation" problem.This paper argues that,as the source and the essence are different,the influence is different from the innovation,can not confuse the two,-the research of the thinker can not only do the "influence" research,but should pay more attention to the "innovation" of his thought The According to this,the research method of this article is different from the previous influence research,and try to "human words" and its realm that "penetrate" type of interpretation,that is,from the "human words" text presented by many of the concept of network,from The idea of the source of the textual research out of the text,firmly grasp the core of the ideological realm of the ideological structure and its spiritual essence,to this(ie,thinking itself)as the basis and starting point,and then from the height of the history of the realm of what Level for the Chinese aesthetics to make an innovative exploration.According to the penetrating research method,the ideological structure and its spiritual essence of the realm can be summarized as follows: the object of study is the aesthetic characteristic of the word("the word is the most advanced");its research idea is to explore the realm of life and poetry The relationship between the realm of the relationship between the realm of the relationship between the realm and the aesthetic art of the two is "not separated",the realm of life to the aesthetic realm of poetry conversion mechanism is "can view" and "can write";The nature of discipline is metaphysical aesthetics,not metaphysical poetics.We can find that Wang Guowei's realm has made innovation for Chinese aesthetics at three levels: one is in the "methodology" and "the methodology",which is based on the ideological structure of the realm as the starting point,and then from the height of aesthetic history,The transformation of discourse innovation,Wang Guowei to the realm from the ancient poetic style concept into the core category of Chinese aesthetics;the second is in the "ontology" on the aesthetic concept of innovation,Wang Guowei proposed to the realm of life-oriented,Aesthetic and artisticcreation,in order to transcend the utilitarianism of "text to carry";Third,in the "epistemology" on the aesthetic object innovation,Wang Guowei stressed that literary creation to the cosmic life of the metaphysical significance and aesthetic Intuition as a fundamental,thus breaking the traditional poetics of the situation.The modern significance of Wang Guowei's realm is that it uses the relationship between "aesthetic and life" as the fit point of the two major aesthetic systems in China and the West,and proposes and constructs a kind of "aesthetic principle of cognition and life theory" and "aesthetic form Learning method ",so that the Chinese aesthetics in the modern period has a high starting point and vision;its how to speak Chinese aesthetic experience to make a demonstration;its provisions of the modern Chinese aesthetics.This paper is divided into the following three parts:The first part mainly discusses the "ideological structure of the realm".This part is divided into the research paradigm of "influential research" in the past,and the "source" of the thought is temporary,regardless of the "brackets",and advocates the "ideological structure","thought itself" As the starting point of the study.The second part mainly discusses "the realm of innovation of Chinese aesthetics".This part is mainly aimed at the influence of the Buddha,Xia Zhongyi and so on,especially for Mr.Luo Gang's "artistic conception is a Chinese variant of German aesthetics",the ancient Chinese artistic conception is "the myth of doctrine" and so on Doctrine of the impact of research "deduced from the point of view,to discuss the realm that" the innovation of Chinese aesthetics." This article will be summarized as the methodology,ontology,epistemology and other three levels of innovation.The third part mainly discusses the "modern significance of the realm".In short,this article from the Wang Guowei "human words" realm of "ideological structure","thought itself" starting,and then from the height of the aesthetic point of view of its innovative exploration of Chinese aesthetics,and finally out of its ideological text gorgeous language network,And then from its academic point of view of its modern significance,-its aesthetic thinking is summarized as "aesthetic and life" as the relationship between the two Western aesthetic system,put forward and construct a "epistemology and The Aesthetic Principle of Harmonious Theory of Life and the Research Method of Aesthetic Morphology.Thus,we both "into it" and"beyond",thus completing the reconstruction of the aesthetic theory of the realm.