The Ideological Origin And Aesthetic Expression Of The Theory Of Chinese Calligraphy And Painting Skills

The formation of Chinese painting and calligraphy “technical theory” is an important embodiment of Zhuangzi's aesthetic creation and the Chinese artistic spirit.In the history of the development of ancient Chinese painting and calligraphy aesthetics,the aesthetic creation of the technique highlights the philosophical creation method and aesthetic principle of “Tao”.The aesthetic composition of the Chinese book brush method has had a natural,free and fresh life form and “breath” since the Han Dynasty.The mysterious and vivid“form” and “potential” expressed by the art make the philosophical aesthetic connotation of painting and calligraphy more enriched;the maturity of the aesthetic creation principle of the Chinese calligraphy and painting technique “advanced” makes the way of expressing art more clear.The creative method is also more standard and standardized.Through the discussion of the traceability and aesthetic expression of the aesthetic creation of Chinese painting and calligraphy,the thesis summarizes and establishes the conditions,methods and influencing factors of the ancient Chinese calligraphy and painting,and highlights the aesthetics of Chinese painting and calligraphy in Chinese painting and calligraphy.The important value in creation.It also demonstrates the “image” and “artistic” form of Chinese ancient calligraphy and painting techniques under the influence of the “intellectualism”.It is used to explain the aesthetic creation ideas and artistic expressions of Chinese calligraphy and painting.It cannot be separated from the aesthetic creation concept of Zhuangzi's “technical theory”.“Technology”is an important technical dependence of the Chinese artistic spirit.The aesthetic creation of Chinese calligraphy and painting techniques has always been carried out around philosophical aesthetics.The aesthetics of Chinese calligraphy and painting is based on the aesthetic creation of ancient “technique theory”.If the essence of Chinese art thought is Xu Fuguan's “art spirit”,then the ideological essence of Chinese painting and calligraphy “technical theory” is aesthetic creation.