Talking About My Rational Creation From Botero's Work

It’s a prosperous art epoch full of changeable and complication,which makes us breathless when facing the information explosion times.The epoch when the artists in the future getting famous by works has already been outdate.And how should we face the challenge at present?What should we do to owe a position in the modern art?It’s the problems that we should discuss in this thesis.Rational creation is the main topic in the paper to discuss、answer and resolve.By looking for and analyzing historical data we found when facing the historical problem in the modern art creation,every contemporary artist hand the bible to success,and also the key to successful magic weapon-that’s to find the symbol which is fit for himself and active reuse in various fields,such as Fernado Botero in Columbia Colombia.Yayoi Kusama in Japan、Andy Warhol in America and the expressionist master Anselm Kiefer in German,all of them have their own characteristic symbol.The artistic symbol is not so easy for all artists to find in time,indeed many artists can’t find it all his life,and only live in others’ shadow.The paper mainly takes an example of Fernado Botero to analyze art symbols in common,and combine my art creation to discuss the feelings and cognition about rational creation.The paper include four chapters,the first one mainly discuss the meanings、purpose、values and research methods about rational creation;the second one mainly introduce Botero’s s historical background、artistic experience and the connections between artistic form and rational creation;the third one mainly explain the meaning of this thesis,the relations between my creation and Botero’s artists and the practice methods;the fourth one is to introduce my creation and my rational creation works.