The Formal Language Of The Landscape Painting And Its Artistic Value

Jian Jiang As one of the landscape painters of the late Ming and early Qing dynasties,he started with Song Dynasty painting,followed by Jin and Tang dynasties,and later devoted himself to Yuan four.He also created the Xin'an school of painting,and the outstanding painting achievements also produced to the painting circles at that time.An important impact,and the formation of a painting on the fresh wind.Jiang has not only achieved great artistic value and achievement in landscape painting,but also is an important link in the context of Yuan,Ming and Qing Dynasties.Gradually Jiang in landscape painting in the field of practice and exploration,great influence on future generations.Danyuan Qingjian painting techniques,vigorous Wei Jun's spiritual point of view,making the river gradually to further promote the development of landscape art form."Gutting heaven and earth is my teacher,Wan Qian thousand cliffs alone stick Chen" painting idea,advocates in nature to seek inspiration for painting,creation.Combined with the study of Jiang's landscape,there is still a lot of theoretical space for the study of painting form language in the landscape painting of the Jiang country,which deserves more in-depth analysis and research.This paper tries to analyze the origin and the painting idea of the landscape form language through the study of the formal language of the landscape painting in the Jian jiang River,and analyzes the landscape painting works of the Jian jiang River by analyzing the life,the background of the times,the relationship between teachers and students and the living environment,Combing its painting techniques and creative ideas.The article is divided into four parts:The first chapter is a brief description of the gradual formation of Jiang landscape painting style.The influence of social situation on Jiang's painting,the individual's personality and the influence of Huangshan's creation on his landscapes.The second chapter explores the form and spirit of pen and ink,the structure of brush and ink,the character and the realm.The third chapter analyzes the composition of ink painting and the artistic conception of ink painting in depth from the aspects of transformation of Yunlin's style,the structure of Fangjian's determination and the artistic conception of Qingrun Junyi.The inheritance and development of Xin'an school of painting and the independence of painting,studied the achievements and influence of the landscape painting of Jiang.