The Color And Space Concept In The Creation Of Chinese Flower And Bird Paintings

Chinese flower-and-bird painting is a kind of expressing category that is full ofculture characters,which participates in the Chinese humanism spirit construction ina colorful way of a kind of particular aesthetic mode,lyric and artislic ways.In thispaper,we will discuss firstly the “Syear-old figure” painted by Zhao Chang,aflower-and-bird painter in Song Dynasty,and lately “loaded hall flower”,thepainting pattern of follower-and-bird which will be researched deeply in thefollower-and-bird history.From a painting practitioner perspective,the “year-old figure” will be analyzed in two aspects of pattern and color.From icon itselfwe will discuss and present the relationship of pattern and color from “loaded hallflower” of flower-and-bird traditional painting at different phase of beginning,evolution,prosperity and recession.And enjoy and analyze the characteristic ofcolor and space hidden in the painting pattern “loaded hall flower”,symbiosisrelationship across time-space with its development process and the soil of artfrom art painting situation.In this paper,we will make use of iconology,folklore and literatures etc,respect thehistorical data record and focus on comparison and summarization.We also make theobjective research with icon data based on practice as an art worker not a literatureperson.The aim is to make a reasonable treatment on venation and aesthetics principleChinese flower-and-bird of to achieve the good painting experience and the soil ofculture,and to find out the suitable development direction for the future painting ability.