The Study Of Fang Zeng Xian’s Figure Painting

Chinese painting is China’s traditional culture important component, has a longhistory and profound traditional, represent a long life and growth in nature and thespiritual lineage. In Chinese painting history we can see Chinese figure painting is notremain stagnant, but in different historical conditions showed a different style. From thegeneral image, pen and early portrait, to mature brushwork figure appeared again in theSong Dynasty, Liang Kai opened the freehand brushwork of the wind, all embody thepursuit of" to write to God" thought of painting and advocate "to the book art" of theChinese traditional aesthetics, to the modern times, Western culture into China, theChinese national culture in other countries and cultures to improve. Fang Zengxian is inthe historical change of Chinese figure painting to the forefront of the times is theoutstanding representative of.Has deep cultural accumulation of ink, the aesthetic taste, language form and paintingtools for early maturing, should be on the basis of reference western heavy body structure,and the system, created a fusion of western structure sketch and Chinese ink paintingtradition (mainly for flower and bird paintings traditional Chinese painting character ofthe novel) methods of performance, is not easy. Fang Zengxian in the East and the west,between the history and reality so hard. Recognize to innovation of Chinese ink painting,first of all to the ink figure of the intrinsic spirit has a profound understanding, both tothe traditional imagery modeling has the profound understanding and dialecticalabsorbed the western realism and abstraction modeling factors. Thus, he correctly handlethe relationship of words and modeling, to create a" linear sketch of human body " as thebasis of figure painting of classical style, to achieve the Pan Tianshou about Chinesepainting must take the main line of the view in modern figure painting teaching in thespecific implementation. Nineteen eighties, is the Chinese culture circle of thought is unusually active period.In the western expressionism art under the influence, domestic artists vision suddenlygained great development, Fang Zengxian began to experiment with ink figure of modernnew may, for both ancient and modern things and can fully coupling the free expressionof the new approach, he continued writing language training and forging, finally hebravely to the Song Dynasty Chinese landscape painting in the accumulated ink lawapply to their figure painting, and the discovery of the accumulated ink method in shapeand performance aspects of the advantages of:1, according to the text and picture inblack-white relations need to be distributed shading. Is not confined to the western styleof a single source, and even to some extent, has for some values change.2, can enhancethe character of the heavy sense, the overall sense, sense of form,3, accumulated ink cangive people a dignified and gloomy feeling special texture effects, so that the screen withyears of vicissitudes and bitter taste. Picture with the image of a realistic image is nolonger the same. These are associated with traditional Chinese characters brush inkconveyed by the literary style aesthetic temperament and spirit has the very bigdifference, make his works show both times characteristic and self personalized languagenew look.When the accumulated ink method has been used successfully in figure painting, Mr.Fang and not to the original style immutable and frozen, but the courage and pioneeringsense, continue to pursue the new conception of traditional Chinese painting. Herevisited China figure painting of the combination of Chinese and western, examine theirpast, continue to explore, to innovation. Began to study classical, avant-garde and thinkhow to Chinese painting more" Chinese"? On the form and artistic conception, headvocated to write to God but to do realistic based on shape of seeking, in calligraphyand type line object charm and temperament, he will be on the humanities, social concern,on the universe, life, freehand brushwork style and expressive brushwork show.