Research On The "instrumental Music" Thinking In Mozart's Opera "Tang Yun"

Throughout all of the Mozart's classic opera works, Don Giovanni can best embody his opera concept of creation, represented by its beautiful aria and powerful ensemble, and most importantly, by it's rational use of "instrumental" in it's concept of constitution, which exerts particular innovative significance to the contemporary opera works and before the classical period. The use of "instrumental concept" is no doubt the most powerful means for Mozart, known as "playwright master in opera",to express drama by means of music."Instrumental" in this thesis refers to the instrumental music that is opposite to the human voice; that is, the orchestra; Also refers to the general development means and techniques in instrumental music. And thought is the internal essence and the summary of the law, therefore, the concept of "instrumental" in Don Giovanni will performance mainly through two aspects, on the one hand, in vocal music works using the formal structure of instrumental music works, as well as the principle of motivation type on writing techniques; On the other hand, the orchestra is not just a foil, it can participate in the story and promote the development of drama. Mozart's biggest contribution to music reflects in the field of opera, the concerto in addition Mozart opera is the most prominent on the one hand,as a result,the formation of the concept of "instrumental" is closely related to Mozart's achievements in the field of instrumental music,instrumental music works and the creative process of both opera is complement each other,achieve mastery through a comprehensive study.The conclusion is a deepening, which is based on the research of the concept of"instrumental", then, the author will illustrate Mozart's overall opera concept in a further step, explore the reasons hidden behind the use of "instrumental concept" in his opera. From the angle of historic dimension, having a consideration on the tradition of the German and Austria music, thus conclude the influences generated by this kind of composing concept on the afterwards generations of opera composers. In particular, the comparison between Mozart and the composers who holds opposite idea of opera creation, the illustration of the rationality of Mozart's opera concept, and the dramaticism and innovation in Don Giovanni are of utmost importance in this essay.