Exploring The Creation Of “defamiliarization” In Chinese Contemporary Landscape Photography

With the development of science and technology,especially the booming rise of digital technology,there is an increasing demand for photography.In the era of the photography,landscape photography become the first choice among a variety of photography creations,for its convenient access,easy operation and other characteristics.Thus,there presents a prosperous scene in the field of photography.For that time,many photographers exclaimed that this is an era full of image flooding and garbage.We should know that there is no problem with the landscape photography itself,but many photographers are in the myth of the skill.Chinese theorists of photography and photographers call and search for the breakthrough of Chinese contemporary landscape photography in theoretical research and creative practice.In the face of such situation,we think that the “defamiliarization” is a new angle in photography which has a special influence on promoting the innovation of landscape photography.From the existing problems in the contemporary landscape photography,this paper aims to explore the path that can solve the existing plagiarism and keep the vitality of landscape photography.“Defamiliarization” creation is based on the theory of defamiliarization which advocates the subversion of familiarity and presents a new,unfamiliar side of things.It emphasizes creativity and breaks the numbness of people with different art skills,making people feel the life again.Practiced in the filed of literature,drama,painting and other arts,“defamiliarization” maintains the freshness of the art.In the context of contemporary culture,combined with the contemporary excellent scenery photography works,we make a induction of the concretely practical ways of “defamiliarization” creation.As a new way of creation,“defamiliarization” creation provides a brand new way for future landscape photography in the way of watching and also sheds light on the photographers in the skills and techniques.Through the research of “defamiliarization” creation,this paper brings new theoretical support for the landscape photography.Meanwhile,it also expands another area of defamiliarization theory in artistic practice.This thesis consists of four chapters:Chapter one defines landscape photography and makes a detailed analysis of the existing problems in the field of contemporary Chinese landscape photography.Firstly,The landscape photography is defined respectively from the western and Chinese process.Then,the author holds a dialectical view of the contemporary Chinese landscape photography,focusing on the existing problems in the filed of Chinese contemporary landscape photography.Chapter two presents the “defamiliarization” creation in detail,containing the theoreticalbasis,the definition in the filed of photography,analysis of the feasibility.Firstly,the author makes an overview of the theory of defamiliarization.Then,in combination with the history of photography,the definition of the “defamiliarization” creation is given from the meaning of defamiliarization,logical process and substance.Finally,combining with the contemporary cultural context,the paper points out the feasibility of “defamiliarization” creation in contemporary landscape photography.Chapter three elaborates the concrete practical way of “defamiliarization” creation in contemporary Chinese landscape photography.This paper regards the “defamiliarzation” as subversion and reconstruction.According to the excellent works of contemporary photographers,the author summarizes the practical ways of “defamiliarization” creation from three aspects:“meaning” and “shape” of creation and localized photography language.Chapter four analyzes the value of “defamiliarization” creation to the contemporary Chinese landscape photography,summarizes the dimension of “defamiliarization” in the process of “defamiliarization” creation,puts forward the timeliness of “defamiliarization” creation and the author's understanding of “defamiliarization” in combination with his own works.In the last part,the author enhances the core view of this article again.The research of the“defamiliarization” gives us some enlightenment: there are many roads in the process of breakthrough and innovation in Chinese contemporary landscape photography.“Defamiliarization” creation is one of these ways,as it continually seeks new point in the process of creation,presenting a new landscape images.In order to better promote the prosperity and development of landscape photography,we should hold a development perspective of“defamiliarization” creation.