"defamiliarization" Explore Photography Art Creation

Defamiliarization by the early20th century Russian formalism theoryas a theory on behalf of Shklovsky proposed. Its core idea is to expressunconventional artistic techniques, to get rid of the aesthetic"automation" limit, and thus the distance of a creative way so thatbetween the viewer and the work. Which has been proposed not onlyin the entire field of literature but also in all over the world have beenvalued and affirmed. Defamiliarization theory had a tremendousimpact on the field of literature, literature and art to the road ofindependent development laid a solid foundation, with a profoundtheoretical value and spiritual connotations. This article attempts toexplore the law of the development of photographic art， as well asDefamiliarization on the art of photography creation value andsignificance in the perspective of Defamiliarization.This article is divided into six chapters. The first chapter brieflyintroduces the research background, research purposes, and theInstitute for the technical route, method, at home and abroad for thedefamiliarization theory, for the art of photography theory situation. Thesecond chapter focuses on the defamiliarization of connotation,development, and major methodological significance, also from thepoint of view of psychology and cognitive science, indepth expositionabout the strange theory of the use of the scientific theory. Theoreticalsupport for the use of defamiliarization to do. The third chapter discussesthe defamiliarization theory in the development process ofphotographic art. Its performance can be roughly divided into threephases of the three stages, traditional photography, modernistphotography, modernist photography. The fourth chapter is aboutdefamiliarization in the creation of photographic art. It mainly from thefive aspects of picture performance, creative ideas, creative content creation techniques, creative theme specific. The fifth Chapter sum upvalue and significance of defamiliarization on the art of photographycreation and the problem in the course of application bycomprehensive analysis of defamiliarization theory in the creativeprocess of photography. It is roughly divided into two levels, first levelfrom the way of thinking, expression and dissemination of force,audience appreciation, creation paradigm point of view ofdefamiliarization. The second level stressed the practical problems of atheoretical application of the defamiliarization theory by the value ofboth form and content of contemporary photographic art and theprinciple of proportionality. Through to the Chinese and foreignphotographers work analysis, combined with Chinas photographic artdevelopment history,the sixth chapter discusses the value andsignificance of defamiliarization theory on Chinese art of photography.In addition, the end of the article provides a brief academic researchoutlook to a combination defamiliarization theory and art ofphotography.The core of the creation of photographic art is innovation, tocreate surprise and strange picture. For photographers, they need toconstantly challenge themselves to subvert the traditional authoringmode and thinking, daring to try new forms and styles, in order toexplore in line with the development trend of the times, unique,personalized works of art. In addition, art from life, the photographermust go deep into life, thoroughly practical, real close to people, feelpeoples living condition and emotions to get a more vivid and freshsubject matter, to create works of vitality and characteristics of thetimes.