Related Questions About "emptiness" In Public Murals

"void" as an important image of traditional culture,in the contemporary yet light.Because the "empty" constant change is the changing social and cultural environment are closely linked.In the traditional "empty" personality and the current pursuit of public spirit is exactly the same,so "empty" is able to become a modern public environment under the pursuit of public.In the public mural material space," void" is not only the mural material density,the number of empty,but also the overall vision of the environment on the empty,but also able to absorb the feelings of the viewer on the "void." Public frescoes break the enclosed space,sublimation,embellishment environment needs " void" as "binder" for the static hard wall "window";for isolated rigid environment "bridge".The essence of the spiritual space created by the frescoes independent of matter and consciousness and other energy is " void" but can become a symbolic symbol of "subject sign",with the "non-command" tone making the leader feel Completely out of the voluntary space to guide.Spiritual space is not only personal experience or collective resonance.Through the "empty" to deal with all kinds of subtle spiritual relationships in social space: to adjust the city space to suppress,hierarchical sense of resistance,as well as by the differentiation of the psychological sense of alienation,and effectively weaken the space of the mandatory Oppression,"Tohold everything " type of force to devour people face absolute space when the fear and confrontation.And finally found the public mural in the " void" the lack of essence,and the use of "empty" from the limitations,purity and ecological construction of public frescoes.