Liszt's "Zhong" Version Comparison And Performance Analysis

Liszt as a representative of the romantic period, since childhood there are extraordinary musical talent, nine years old when playing piano, is a famous music educator and performer. Liszt's piano works, embodied in the romantic music of the music, in the process of the creation of piano adaptation, the integration of different composers style, especially in his early creation, the famous violinist Niccolo Paganini has a deep impact. The third song of the 10th Super Etudes < La Campanella >,adapted from Paganini's < Solo violin,Op. 1 No. 2 in B minor >, has a very difficult playing technique, known as a piano playing technique peak. Liszt's works, pay attention to the ideological and emotional integration, romantic atmosphere, gorgeous show off skills, to add a lot of difficulty to the music. This paper explores the differences and characteristics of three different versions of <La Campanella> created by Liszt at different times, and selects three representative pianist versions, comparing their similarities and differences, On the third version of the technical difficulties of the study.Including: long range of agile jump; fast octave repeat sound; one hand playing melody and tremolo; and fast running sound group, and ultimately with their own playing experience, put forward some solutions.