The "Shanshui Awakening" Under The Vision Of Metaphysics And Weiruo In The Wei And Jin Dynasties

Confucianism is criticized and questioned by egghead at the end of Han and Jin Dynasty.In this period,people has a controversy about the Confucian ethical code.In fact,the essence of this controversy is the problem of metaphysics.This problem is mainly about Confucianism and Taoism are similar or they are different And also controvert about nature should be separated from the Confucian ethical code or they are united as a whole.With the development of speculative metaphysics,Chinese philosophy has completed the theoretical construction.This process involves Qin's Confucianism,Han's Cosmology and Wei Jin 's Ontology.In the fields of art,metaphysics combines philosophy with aesthetics and artistic analysis.And esatablish a relatively perfect system of aesthetics.Wei and Jin Dynasties,the metaphysics of the"expensive" because of the idea of beyond the limited to grasp the infinite and thus to achieve the main body of the realm of freedom of mind and body,such a realm with the aesthetic realm of the internal connection.The awakening of human consciousness is the prerequisite of the awakening of the text,and the establishment of the consciousness of life is both the awakening of human beings.When the influence of metaphysical thought brings the establishment of the subjective position,when the metaphysical poems bring aesthetic to the development of landscape poems The perspective of the changes,the human field of vision also will be closer to the beauty of the natural mountains and rivers,and in this appreciation under the liberation of self-spiritual,understanding of the order of life and the spirit of the universe."Painting mountain water order" produced in the landscape of the initial period,this more mature landscape painting theory by the mysterious,Buddha confluence of the background of the times,is the crystallization of this period of painting aesthetics.On the one hand,Zong Bing put forward the basic methods of landscape painting creation on the one hand,and on the other hand,he made a series of aesthetic propositions such as painting ontology,aesthetic experience,aesthetic perception and aesthetic appreciation,and established landscape painting and landscape painting Appreciate the aesthetic theory system,and profoundly influenced the later creation and aesthetic reflection of landscape painting.This paper is divided into six chapters.The first chapter discusses the emergence and aesthetic changes of metaphysics in Wei and Jin Dynasties,analyzes the inner connection between the development process of metaphysics and the aesthetics,and the awakening of life consciousness is the awakening of human beings.When the status of the subject is established,such as the image,the character,the presence,the gods and other aesthetic categories.The proposition of the proposed transfer to the natural perspective has played a profound impact;The second chapter explores the spirit of landscape under the metaphysics of Wei and Jin Dynasties.Due to the influence of metaphysics and the rise of "hidden" and "travel",the aesthetic view of nature is changed from the landscape to the landscape.The third chapter explores the origin of Zong Bing's ontology,and because the "nothing" of metaphysics contains the originality and transcendence advocated by Buddhism "empty",the concept of "empty"and "nothing".The prosperity of Buddhism in particular,especially the spread of knowledge is to Laozhuang metaphysics to elucidate the gist,Zong Bing by Huiyuan ontology,accepted his "shape and romantic charm" issue of the idea of the Buddha's"clear meditation","The spirit of immortality the metaphysical with or without beyond the integration of each other,and will be projected in the mountains of the image of the enlightenment,so that the concept of natural objects to appreciate the final construction in the" Hua Shan shuixu".The fourth chapter explores a series of aesthetic propositions in the "Hua Shan Shu Xu",from the spatial consciousness of the painting,the ontological appearance of the image,the sympathetic isomorphism of the mind and body,the establishment of the concept of form and spirit,the way of authentic way,The role of six angles to comprehensively interpret the "painting mountain order" aesthetic connotation,trying to analyze Zong Bing by landscape and smooth God The ultimate painting concept;The fifth chapter explores the differences and the development of the aesthetic thoughts of Zeng Bing 's "hua Shan Shu Xu" and Wang Wei' s "narration" in the aesthetic view.The sixth chapter discusses the influence and significance of the Hua Shanshuixu,and summarizes the value of the idea from the aspects of the thought and expression of painting creation and the meaning of painting aesthetics.This thesis is based on the background of the era of mysterious Buddha confluence,the series of Aesthetic proposition for further interpretation.We believe that Zong Bing integration of mysterious Buddha thought and apply it to landscape painting.Of the aesthetic view,reflects the Jin and Song of the occasion of the ideological and cultural trends,concentrated on behalf of the aesthetic at this time.On the development of the crystallization of the landscape in the beginning and even later the creation of the painting plays a profound theoretical guidance righteousness.