Woody Allen's Film "conversational" End Of The Study

This paper takes Woody Allen's film as the research object,comparing and according to the Woody Allen film and American Hollywood film and European art film.Found the end of the Woody Allen film differences from the end of other films unique,creatively put forward the Woody Allen film "novel movie" style and "dialogue" end of the concept.Based on the structuralist narratology of the "story" and "discourse" of the division criteria,the author divided the end of Woody Allen film "dialogue" closure type,front type,back type,multi-type.Make Woody Allen film story kernel summarized as a crime story,mind story,derailment story.On the basis of classification and induction,the author focuses on the position and function of the end of the film in the narrative structure of Woody Allen's film,and read the text in the audio-visual language.After the specific interpretation of the Woody Allen film "dialogue" end,In the course of logic of why and what,quoted rhetorical narratology theory and Bakhtin"dialogue" theory,literary aesthetics theory and acceptance of aesthetic theory of Woody Allen film "dialogue"ending of the theoretical attribution with sublimation.Finally,the author of the popular culture research from the perspective of Woody Allen film "dialogue"ending of the deep inquiry,that Woody Allen film"dialogue"ending of the film actually convey the philosophy of the author's own philosophy Ideas and great film creation ambitions,and postmodernist cultural background are inseparable.This paper is divided into the following sections:In the first chapter,we use the method of comparative analysis to discuss the inheritance and rebellion of Hollywood and the inheritance and development of European film,and put forward the style of "novel film"of Woody Allen's film,and positioning Woody Allen in non-mainstream film author.The second chapter mainly uses the method of classification and summary,text analysis,through the end of the Hollywood film,proposed anti-Hollywood Woody Allen film"dialogue"ending of the four types,and specific films as an example to read the text.The third chapter mainly uses the method of theoretical analysis to study the creation of Woody Allen's "dialogue"ending,and finds out the disagreement of the "fictionality" of the "dialogue" and the digestion of the "theme" greatly reflects the author-the text-the audience of three-dimensional interaction.Discovers the self-consciousness and unfinished character of the narrative discourse,which is presented ending of the"conversational”,and the temporal and spatial body of the "rise".The fourth chapter uses the method of popular culture research,standing in a more macro,deeper perspective overlooking the "dialogue"ending of the film writer Woody Allen on the unknown and death of the eternal fear of life,the deep understanding of uncertainty And explores the concept of "super-real",the authoritative,the diversified and the individualized creation concept of "dialogue"ending of the postmodernist cultural trend;finally,The author further compares the Woody Allen film from the end of the "dialogue" and finds out that his great film ambition is an attempt to be compatible with the tragic theme and comedy style of two aesthetic forms;attempt to ride the European tradition and Hollywood model of the film culture gap;Attempting to integrate art and business type of film.The significance and innovation of this paper is the small sight.First of all,from the end of the film in different ways to follow the whole view of Woody Allen film,the research point of small and chic;second,this novel theory of rhetorical narrative into the film analysis,and level,The use of narratology,aesthetics,cultural studies and other theories;audio-visual language,narrative structure,philosophy,the era of cultural background and other angles on the end of the Woody Allen film to explore;third,this article on the end of the type division and text read is directed at Woody Allen film,but also can be used as a good example of the end of the creation of Chinese film creation inspiration,practical and operational strong.But this article is still regrettable,the author from the perspective of the end of the narrative Woody Allen film is a jungle,still lack of cultural history coordinates of the meaning of interpretation:such as Woody Allen film rarely appear black image;The imagination of China's imagination is coming from the distant and mysterious kingdom,such as the lasting fear of the Jews on the fascist anti-communist policy,and so on,to be further explored in future academic studies.