Li Fangzhen's Aesthetic Study Of Painting Creation

Li Fangying was a great member of "the Eight Eccentric Painters of Yangzhou" in Qing Dynasty.He was not constrained by ancient and original way,emphasizing the personality of publicity,advocating the artistic innovation.He was good at poetry,literature,calligraphy and painting,so he was an accomplished scholar,who had distinct characteristics and unique spirit of artistic creation.As a kind of artistic creation,painting belongs to the scope of the spiritual field.As a kind of aesthetic activity,the object of painting creation aesthetics is the nature,characteristics and rules of painting,such as the initiative of creative subject,the style of creation,the technique of creation,the realm of creation,etc.Through the organization and arrangement of the painting language,the painters express their inner real feelings and present their creative personality,showing their unique painting styles,all of which need the painters'elaborate creation.As a master of painting theory and painting creation,Li Fangying's artistic achievements can't be underestimated.This article has attempted to mainly discuss about Li Fangying's painting creation aesthetics from four aspects:the subject theory,the style theory,the theory of technique and the realm theory.This paper is divided into six chapters besides the introduction and conclusion.The introduction mainly summarizes the research status,research origin,reaearch significance,research assumption innovation of Li Fangying's painting creation,so as to have a general understanding of Li Fangying.The conclusion part summarizes painting creation aesthetics of Li Fangying and affirms the value of it.The first chapter introduces the formation background of Li Fangying's painting creation,including social background and life experience,which lays a good foundation for better understanding of his painting creation aesthetics.The second chapter focuses on the subject theory.This chapter mainly discusses the inner view of the aesthetics subject which is rich in contemporary value from the three aspects of "learning from nature","portal self-reliance" and "chasing the new wonder",inorder to better grasp the inherent subjectivity.The third chapter concentrates on the style theory.On the basis of "well-thought-out",Li Fangying creatively put forward the theory of "unprejudiced" theory,removing the prejudice and carrying out the artistic innovation.This idea enchied the theory of painting bamboo.Plum bossom,as the representative image of Li Fangying's painting art,is not only a compliment to the noble character of it,but also a symbol of self spirit.The fourth chapter revolves about the skills.This chapter discusses the painting skills of Li Fangying from three aspects:one is to avoid the vulgar pen,advorcating the use of light ink;the second is favouring the straight calligraphy or drawing;the third is the layout of innovation,emphasizing the innovative composition of the painting.The fifth chapter refers the realm theory.This chapter mainly expounds the realm view of Li Fangying's painting creation from the aspects of "truth" and "self-adaptation".The sixth chapter is mainly divided into two parts,from the visiual art point of view to clarify the aesthetic value of Li Fangying's painting creation aesthetics,from the level of people-oriented feelings to illustrate the inspiration of his painting creation to contemporary society.It is worth researching and studying.