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Research On The Status Quo Of Contemporary Oil Painting Creation In Guizhou

Posted on:2018-08-12Degree:MasterType:Thesis
Country:ChinaCandidate:P J WuFull Text:PDF
GTID:2355330542963145Subject:Painting
Abstract/Summary:PDF Full Text Request
After the opium war,produced intense collision of Chinese and western cultures.Harmonization between Chinese and western painting,over thousands of years of Chinese traditional painting a landscape,to make China painting is full of youthful air reveals the tide of The Times.Starting in the 1980 s,oil painting in China gradually recovery on the earth,and the diversity of flowers,colorful pattern.In the tide of development of oil painting,oil painting as an important part of Chinese oil painting in guizhou,both attached flow at spring tide in the development of Chinese oil painting and has its own style.Guizhou is a collection of local flavor and national characteristics as one of the provinces,many ethnic minorities,rich regional culture,national culture and folk culture to constitute the unique "guizhou culture".Guizhou artists into the thick of life,the combination of guizhou minority nationality unique artistic subjects,created many unique work of art.Since the beginning of the 20th century 80 generation,guizhou painting after years of exploration,before finally broke through the single form of expression,and achieved gratifying results,including zheng-gang zhang "wumeng chunxiao",gao played plateau,Leon's "old age" MiaoNv "offering" spring ","dove" Ceng Xisheng,yann's festival of dashan,xiao-lin ren "(heaven and earth" the evening sunset,Jia Juanli "wordless song"and so on are in the national exhibition in the award-winning,for oil painting in the domestic fight for the honor of guizhou,created a glorious history.Today,the rapid development of social economy,the world entered the network information age,information communication is the omni-directional,painting as a kind of ideology,increasingly frequent exchanges also,because of the influence of western modern and contemporary art,guizhou young artists as the power of the "new generation",their freedom of thought,tolerance,diversity,good at absorbing all kinds of new things,play the advantages of their age,with a fresh vision and ways at the local art,in front of the traditional artistic style is bold and confident.They use a new thinking and vision into the Chinese contemporary art,it is an inevitable trend of development."New generation" of young painters in guizhou in recent years,the national exhibition also has won success,such as:Pan Wen cheng,and did not carry forward,Wu Chuanshuang,Wu Siyu cooperation of mourning and wangjie pinghu "plateau" and so on,we see the hope in the oil painting in the new era of development in guizhou.Therefore,this article attempts from the following several aspects to analyze guizhou modern oil painting research:one is from the regional culture,the understanding of national culture and folk culture,and discussed the characteristics of the variety of culture communion,and puts forward its connotation and spirit value,on the basis of the predecessors to lay a qualitative leap,and extremely far-reaching influence;2 it is to introduce the background of guizhou modern oil painting creation,development in guizhou representative painter and painting style analysis,analyze the aesthetic thoughts in his works and painting techniques;Three from the painting style on the analysis of guizhou modern oil painting creation and style characteristics.Based on case analysis,in short,as the main research methods,techniques of modern oil painting in guizhou,the theory and aesthetic thought in the context of contemporary facing the confusion,and to explore the new way of contemporary oil painting development in guizhou,in order to provide some reference for the development of the modern oil painting in guizhou and supplement.
Keywords/Search Tags:Guizhou modern oil painting, the creation, style, regional culture, national culture, folk culture
PDF Full Text Request
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