A Study Of Humorous Elements In The Dance Of Tea In Southern Fujian

This paper takes Jiangxi GannanCaicha dance humorous elements as the research object,to the traditional opera Gannan Caicha opera as the starting point,combined with the theory of cultural theory,folk dance culture,dance,comedy and aesthetics,art theory,historical origin,respectively,Gannan Caicha dance humorous elements of the performance of the three creation the practice form,with the integrated use of induction method,practice method,fieldwork and analysis of Gannan Hakka Dance in humorous elements,summarize and conclude the creative strategy works Chinese humorous folk dance.This paper is divided into three chapters,the first part is introduction,the research purpose and significance,research status,the main research methods and research innovation points and difficulties,and other aspects of the topic description;the first chapter,to analyze the folk dance in the humorous elements from the historical origin of Gannan Hakka Dance,from the pre Qin opera comedy comedians dance to the Ming and Qing Dynasties,the China folk dance in humorous elements as the vertical comb;the second chapter,from the perspective of creative practice to analyze the features of folk dance with China humorous elements,respectively,from the theme of the works and structure of characters,characters,props and the use of music,the use of creative techniques and other different aspects to explain the experimental works of "Qiaoxiang long" the play creation process;the third chapter,from the folk dance Chinese humorous elements In combination with the times,the value and significance of analysis of humorous elements of dance from the universal phenomenon in contemporary dance works,analysis of the trend and development of Chinese folk dance humor from the perspective of audience psychology,pointed out that China folk dance humorous elements of comedy creation adaptation strategies and general development.