An Exploration Of The Stage Creation Practice Of Gannan Tea-picking Folk Dance

In the creative practice and exploration of the work "Qing Yi",the author factor in the consideration of the cultural connotation.The inheritance of dance-stylecharacteristics and the stage creation innovated from the Gannan tea-picking dance.The traditional Gannan tea-picking dance originally,the moving law of style and the cultural significance of preservation,to the Jiangxi tea-picking dance style dynamic law of the extraction of expression of contemporary ideology,expect to achieve "deposit",in the basic law of traditional southern Jiangxi tea plucking,and style.Under the premise of morphological characteristics constant amplitude of movement,rhythm and the form of change,after adjusting for stage creative practice in exploring the contemporary expression of "Qing Yi".This paper tries to find the elements that are consistent with the dynamic behavior of the characters and the thoughts of the works for stage expression and forms a progressive transformation from a dynamic movement to character language to convey the thoughts of the director.It is also a progressive transformation from folk to stage,from tradition to creation.The research expects to analyze the artistic and morphological characteristics of the dance in tea-picking drama,extract its styling and aesthetic characteristics,and follow the principle of combining practices with a theory to apply it in the artistic creation of tea-picking.By correctly understanding,refining and deriving traditions,on the premise of respecting historical rules,a new dance form with the spirit of the times will eventually be formed,making a modest contribution to the inheritance and development of the tea-picking dance in southern Jiangxi,China.