The Study Of Chopin's Piano Sonata In B Minor: An Interpretation Of The History And Form Of "Sorrowful Meaning"

In this dissertation,the writer mainly studies the representative work of sonatas by Chopin from the perspective of historical musicology.This work is a representative of the composer in his transformation period.It has unique humanistic connotation and artistic value,making it distinguishable in romantic sonata.This paper mainly explores the historical and cultural roots of the composer's creative style during the period of transformation,the formal features of the languages style behind the music content of works,and the relationship between the form of music and the traditional musical genre.The works of composers during the transformation period,the formal and linguistic features of the styles and contents,and its relationship with traditional music genres are explored,which is of great significance to help readers understand the style and formal language features of other genre works in Chopin's flourishing period.The study of the sonata,a very representative musical genre,contributes to clarify the relationship between romantic composers and classical traditions.This paper focuses on the following points:1?Starting from the historical and cultural perspective,this paper explains the form features of the composer's“sad style”in the period of creative transformation2?From the music text and the sound text of specific works,this paper explains the form features of the musical language of the“sad meaning”in the work.According to the related concepts and theories of form and content in musical aesthetics,the writer summarizes that it is characterized by“holistic”in melody,by“logicality”in harmony,and by“internality”in musical form.3?Based on the development of the traditional Sonata thinking in the 18^th century,this paper studies the influence of traditional genre rules on the expression of“sad meaning”in the form of music.In the discussion of the development of the traditional Sonata thinking in the 18^th century,the writer analyzes two important aspects,one is the development of“contrastive”thinking and the other is that of“multiple unity”.