Film On Paper: Daily Poetic Narrative And Visual Expression

In the development process of Chinese children's literature,Ren Rongrong is definitely a landmark figure.In addition to his achievements in translation of children's literature,he is also a rare and innate writer of children's literature.His children's literary works are still loved by children so far.The reason is that in addition to conceiving wonderful content and interesting style,the tendency of the cinematic of his text has also printed a unique personal mark in his works,and it still attracts much attention.Since childhood,the love and fascination with movies and dramas has allowed Ren Rongrong's children's literary creation to spontaneously learn from and incorporate certain cinematic thinking.It contains a wealth of cinematic elements,and making his children's literary works beyond literary features,but also full of characteristics of strong cinematic.Ren Rongrong created a series of lively and rich characters in the “cinematic imagination”,which accompany and influence the growth of several generations of children in China.His fairy tales and children's novels are exaggerated and interesting,full of images,distinct characters and strong drama conflicts;his children's poetry is full of interest and has a linguistic effect of seeking interest in action;The art films "No Brains and Unhappy" and "A Talented Acrobat" adapted from his works of fairy tales are still classic,which also proves that“the film on paper” has the possibility of practice.This Paper mainly starts from the life background and creation process of Ren Rongrong,and analyzes the creative features of Ren Rongrong's cinematic thinking and his cinematic features in his children's literary works from the following three aspects,in order to sum up the unique style of Ren Rongrong's children's literary creation.The first is the cinematic tendency in the creation of Ren Rongrong's fairy tales and children's novels,followed by the poetic narration of daily life in his children's poems and the audiovisual presentation of cinematic imaginings,and finally the analysis of the adaptation of the art films according to his fairy tale.