| With the advent of the knowledge economy,the “new economy”led by“knowledge”and “culture” has attracted a lot of attention.As the core industry of the new economy,cultural creative industries have also grown rapidly.As a result,cultural creative industries and various cultural and creative spaces have sprung up throughout the world.Although the development of China's cultural creative industry started later than the developed nation,with the rich resources and late-comer advantages,the trend of cultural creative industry agglomeration is increasing obviously and a number of cultural creative industry district have emerged.Local governments are also devoting themselves to developing cultural creative industry and creating cultural creative spaces.Therefore,based upon such a background,discussing the apace originality,the emergence of the invention,and the rules of innovation of the cultural creative industry can provide policy references for the construction and development of various cultural creative parks in China.At the same time,based on the success of cultural creative economy and cultural creative space and the source of innovation and creativity in developed countries and regions,many scholars have carried out a large number of effective tracking and research.At present,the research on the competitiveness of manufacturing clusters is relatively mature,and most of the researches on cultural creative industries also use the theory of general manufacturing clusters to explain the origination of creativity and competitiveness.However,as a representative of the cultural symbolic economy,cultural creative industries has its own characteristics and rules,and the explanatory power of cluster theory based on traditional processing and manufacturing industry has certain limitations,which needs to be explored from a new perspective.In addition,the existing cultural creative space and cultural creative economic research mainly focus on the developed regions and metropolitan areas.Some cultural creative economies andcultural creative spaces,which are based on artistic creation and emerge from developing regions and rural areas due to regional historical and cultural resources and technological craftsmanship,have not received much attention.For the above reasons,based on the Bourdieu field theory,this paper takes the characteristics of the cultural creative industries,such as the symbolism,cultural creativity,and social rootedness of technical knowledge into account and fully absorbs the ideas of field theory including creative field,learning field,social field and aggregate economics theory,takes the flow,propagation and enhancement of symbolic knowledge in fields as the core of the analysis,taking Yuzhou Jun-porcelain cultural creative industrial cluster which is the endogenous cultural creative space in Henan as a case,analyzes its technical knowledge and innovation types,and researches the role of different fields(production fields,relational fields,local social fields)in the technological knowledge promotion,technological knowledge dissemination,knowledge spillovers and interactive imitation innovation,as well as the issue that how different fields jointly promote the technological learning and innovation in Yuzhou Jun-porcelain cultural industrial cluster.There are 6 chapters in this paper with the above train of thought.Chapter 1 is the introduction which mainly introduces the research background and significance,technical route,data sources,research content and methods.Chapter 2 is the literature review,and studies the aggregate economics theory and the innovation differences of different industrial clusters,and then summarizes and analyzes the existing researches from the perspectives of the resource conditions and(creative innovation)environment,agglomeration economy,social network and knowledge flow,geographical proximity and creative field,which provides theoretical basis for structuring the theoretical system.Chapter 3 is the theoretic basis and analytical framework,introducing the conceptual characteristics of the cultural creative industry,the aggregate economics theory,and the field theory.Chapter 4 analyzes characteristics of Yuzhou Shenhou cultural creativeindustry and its innovation,which is the basis of next chapter.Chapter 5 is the innovative research about Jun-porcelain cultural creative industry,with the technology and knowledge growth,dissemination of Jun-porcelain cultural creative industry,which analyzes the functions and collaborations of different fields,the innovation process and mechanism of the Jun-porcelain cultural creative industry which mainly includes the production site and technical knowledge promotion,the relationship community(fields)and technical knowledge flow,the social atmosphere(fields)and technological knowledge spillover,and the interaction of various fields etc.The last chapter 6 are conclusion and prospect,which summarizes the research conclusions,and points out future research directions.The main research work and conclusions are as follows:(1)the theory based on traditional manufacturing clusters has some limitations to explain the creativity and vitality of cultural creative industry,it needs to be re-examined that the existing cultural creative industries focus on the developed regions and metropolises,the cultural creative economies and cultural creative spaces of developing regions and rural areas have to be focused,and it needs to be explained from a new perspective.(2)from the industrial specificity of cultural creative industries,absorbing the technical knowledge externality of aggregate economics theory,knowledge spillovers mechanism,and the multidimensional vision about the technological knowledge flow,creative atmosphere,social relations in creative fields,learning fields,and social fields,the paper have constructed a analytical framework integrating cultural creative industry and cultural creative spatial innovation to study the cultural creative cluster;(3)the technology and knowledge of the Jun-porcelain cultural industrial cluster is related with context,cultural and symbolic,the accumulation and growth of technology and knowledge are deeply influenced by practice,and the understanding and interpretation of its product functions and style design innovation are greatly affected by the local history and cultural traditions,so it has strong local stickiness and social culturalembeddedness;(4)after the reform of firing technology,the Jun-porcelain industry innovation start to focus on the glaze formulation,process modeling and use function,which are driven by the market,and the Jun-porcelain artists and engineering workers played a key role,related professional art schools,institutions,and governments supply the favorable condition in human resources,information,and policies;(5)the Jun-porcelain industrial cluster innovation is a process driven by multiple fields.The production site provides an important venue for the accumulation of technics,experience and skills,and learning by doing,learning by using,and learning by interacting between technical workers and the kilns,technical workers and Jun-porcelain artists are important mechanisms;social relations between enterprises formed by derivative relations,such as the kinship,the industry predestined relationship and study relationship,have created family communities(field),master-apprentice communities(field)and professional circles(field)in Yuzhou Jun-porcelain industrial cluster.These different relationship fields play different roles in the communication and dissemination of Jun-porcelain technology and modeling design knowledge,together promoting the exchange and transmission of local technology knowledge.Because of the common historical cultural heritage,the industrial atmosphere formed by the varies kiln companies and product stores,which can help forming a huge knowledge bank in the region,sharing product modeling and market information,and promoting technological knowledge spillover and interactive imitation innovation;(6)temporary field which includes local artists are trained abroad and some teachers and students visit the local creates a platform for local cultural creative clusters to establish external connections by the temporary learning field and some temporary exhibition;(7)multiple fields together drive the creative vitality and competitiveness of cultural creative cluster in Yuzhou,learning by doing,learning by using,and learning by interacting between technical workers and artists promote the accumulation and enhancement of the clusters' technical knowledge,different fields including career circle(field),mentorship communities(field),and family communities(field),etc promote the communication and transmission of technology and knowledge,the social field formed by local industrial atmosphere promotes technology knowledge spillovers and product function innovation,the temporary fields build the effective pipeline to global for the local cluster. |
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