| There are very few famous works in the Wei,Jin,Southern and Northern Dynasties,or they are hard to see.This is a great obstacle to our in-depth understanding of figure paintings in the Wei,Jin,Southern and Northern Dynasties.The artistic works of this time cannot truly restore the era’s unique spirit,aesthetic style and artistic standard.Although these portrait bricks cannot be equated with the works of these figure painters,but because of their artistic aesthetic characteristics,the identity and consistency of aesthetic concepts,and there is no excessive time interval in time,we understand the Southern Dynasty The authenticity of these figure painter works provides a more reliable basis.Based on the study of the portrait bricks in the burial chambers of the Southern Dynasties,this dissertation researches on the clothing of the Southern Dynasties,starting from the tombs in the most representative Nanyang,Nanjing,and Changzhou areas,and using the subjects in the portrait bricks in these areas as the starting point of this research.At the same time,based on the dress of the characters in the portrait bricks,this article summarizes the style and value of the clothes of the Southern Dynasty.At the same time,the cultural background of the Longmen Museum,the environment in the museum,and the status of the staff’s clothing were investigated,and the conjunction and feasibility analysis of the combination of clothing and the Longmen Museum in the South Dynasty were found out.Finally,the design principles,methods and elements were discussed in the Southern Dynasty.The direct reference and indirect inheritance of clothing make the inheritance of traditional clothing culture come true.Finally,through the study of the dress art of the portrait brick in the Southern Dynasty in the tooling of the Longmen Museum,it not only serves as a reference for other museums,but alsocontributes to the promotion and inheritance of traditional clothing culture. |