Research On The Emotional Expression Of Eight Auspicious Patterns In Fabric Design

With the growth of national power and the trend of globalization,the vertical upgrading of products is accelerating,and the horizontal selectivity is increasing.The supply and demand relationship in the market changes from short supply to oversupply.Consumer demand for products extends from material functions to emotional recognition.Local and national art has received more attention.The eight auspicious patterns are one of the traditional auspicious patterns in China.They are an important epitome of art exchange between China and India and between Han and Tibet.The eight auspicious patterns were introduced to the Han dynasty from the Yuan Dynasty and developed in the Ming and Qing Dynasties.From the random and simple in the early stage to the rigorous and rigorous in the later period,they exhibited unique aesthetic values and auspicious symbolic meaning.Looking for experience in history,incorporating traditional auspicious patterns and auspicious culture into modern fabric design has become a bright spot in modern design.The research on the national expression of modern fabric design is of great significance to the development of fabric design culture and the promotion of national culture.This topic aims to analyze the emotional expression of the cultural value and aesthetic value of traditional eight auspicious patterns in fabrics.Firstly,it analyzes and summarizes the characteristics,concepts,development and composition of the traditional eight auspicious cultures,and explores the research value of the eight auspicious patterns from the aspects of the form of formation,image meaning,and connotation characteristics.The composition characteristics and application forms are analyzed and compared,and a basic study is made for the emotional expression of the eight auspicious patterns in fabric design.Secondly,to summarize the theoretical concept of emotional design,combined with the development trend of fabric,use the three-level theory in emotional design to find the entry point between culture andproduct,analyze the methods and elements of emotional design of fabric,and plan to establish the eight auspicious The design and development direction of patterned fabrics is to use traditional auspicious patterns to enhance product characteristics,use auspicious patterns to enrich product culture,establish a brand image of fabrics,and meet the emotional needs of consumers.Then I will cite design cases and discuss the application of traditional patterns in fabrics.Based on the restoration of traditional flavors in fabrics,the innovation of traditional patterns and the improvement of cultural and creative quality,it analyzes how fabrics with eight auspicious patterns affect consumers.Summarizes the design principles of the eight auspicious pattern fabrics,from the reference and extension of the medium shape of the pattern,the originality and innovation of the color matching,combined with the traditional craftsmanship,the application form of the eight auspicious patterns in the fabric is assumed and verified,Through re-creation to promote the eight auspicious auspicious arts,with eight auspicious patterns of cultural and aesthetic heritage to give the fabric new artistic value,to meet consumers' emotional needs of fabrics.Finally,combined with the design method proposed above,based on the points,lines and planes,and the expression of Yayoi Kusama and other artists' works,the eight auspicious patterns are presented in a single fabric.Through the analysis of the pattern elements of the eight auspicious patterns,and according to the current fashion style of the fabric,the application of the eight auspicious patterns in the fabric has been carried out innovative matching design practice.Through the single product design practice and supporting design practice of home textile products,the application of eight auspicious patterns in fabrics was effectively verified and in-depth researched,so as to prove the feasibility of the ideas and ideas put forward in this paper.In the current period of vigorous development of the textile industry,the design of the textile industry should reflect the multiple unity of tradition and innovation,technology and art.It is hoped that the research in this paper will provide a reference for the application of traditional auspicious patterns in fabric design,and through the innovation of traditional culture,touch the emotional needs of consumers and promote the development of the fabric market.