| In the revival movement of traditional clothing,the concept of inheriting Ming Dynasty’s System is the most famous.The costumes of Ming Dynasty are from Zhou and Han Dynasties,and from Tang and Song dynasties.As the elite of ancient Chinese culture,the Confucian students(the pronoun of scholars and literati)are the creators and inheritors of Chinese culture.Therefore,it is of great significance to analyze and verify the costumes of the Confucian students in Ming Dynasty,includes explore the names,shapes and connotations of the costumes and crowns of the Confucian students,which is highly contributed to understand and study the Confucian culture.Taking the main group of the Confucians in Ming Dynasty as the research object,based on the detailed literature and materials,this paper has carried out a large number of empirical studies,from the shape change of the students’ clothing to fashion aesthetics,and then to social representation,using the “trickle-down” theory of fashion proposed by the German sociologist Georg Simmel.From the exterior to the interior,this paper makes a theoretical analysis of the imitation and flow in the fashion of the Ming Dynasty.Based on the analysis of the reduction and production of the typical clothes of the students,the paper improves the structure according to the modern people’s dress habits,and through the simplification and innovation of the dress details such as style,fabric and pattern,so as to carry out the design innovation practice in the modern men’s wear and to the requirements of the times.It has academic theoretical value to explore the formation,development and change of Confucian students’ clothing,so as to provide a more reliable theoretical basis for the design and production of men’s clothing in the revival movement of traditional clothing,and provide academic reference value and design ideas for the inheritance and development of traditional clothing. |