From the perspective of cultural exchange between China and foreign countries,taking Xinjiang traditional Kazak clothing patterns as the research object,based on the relevant classification of traditional patterns,this paper aims to further comb and extract Xinjiang traditional Kazak clothing patterns.By using the method of literature research,field investigation and experimental verification,this paper analyzes and studies the idea of combining architecture theory with design experiment.This topic is to understand and interpret the characteristics of Xinjiang Kazak national costume patterns,explore the essence from the appearance,integrate the characteristics of Xinjiang Ili Kazak traditional costume patterns into the design of modern ready-made women’s clothing,and realize the innovation and inheritance of traditional Kazak costume.There are seven chapters from the analysis of Kazak pattern characteristics to the exploration.The first chapter introduces the background and origin of Kazak,analyzes the status quo of Kazak clothing research by domestic and foreign experts and scholars,and determines the significance of the research,laying a theoretical foundation for future application exploration;the second chapter analyzes the historical origin and transformation development of Kazak;In the third chapter,under the background of cultural exchange between China and the west,the extensive application of Chinese ethnic elements is analyzed with examples.The fourth chapter,through the classification of Xinjiang traditional Kazak clothing patterns,abstract,and how to use in modern ready-made women’s clothing experiments.The fifth chapter is about the application of Xinjiang traditional Kazak clothing pattern in modern ready-made women’s clothing,from the specific inspiration source to the choice of pattern,fabric and color.The sixth chapter is the detailed production process of women’s ready to wear,the difficulties and solutions encountered in the production process,and the final display of the series of women’s ready to wear;the seventh chapter is the conclusion that the ethnic minority clothing culture must be innovated and developed,exploring the design method of traditional and modern integration,and looking forward to the future. |