Dongyang Woodcarving Art In Caizhai Village Intangible Heritage Museum Design

The design of Caizhai Village Non-Heritage Museum in Dongyang,Zhejiang Province,is different from the previous display mode of private museums,which is mainly static and supplemented by dynamic.It emphasizes the concept of complementary space dynamics and static design innovation under the background of tapping the cultural characteristics of villages and meeting the needs of tourists.This topic is based on the design and application of Dongyang traditional wood carving art in Caizhai Village Non-Heritage Museum.Through tracing the history of Caizhai Village's wood carving non-heritage culture and exploring its carving techniques,this paper seeks to innovate and reproduce the traditional wood carving non-heritage culture in the space of contemporary museums,so as to build the Dongyang Wood Carving Museum of Caizhai Village into an educational base for the protection of Dongyang folk and non-heritage culture.The brand highlights of local and local rural cultural tourism create a good communication space for the inheritance and regeneration of non-legacy "living state".First.Needs survey report.Through field research,this chapter understands the present situation of the base of Caizhai Village Non-Heritage Museum in Dongyang,and combs the traditional sculpture art and its cultural system,demonstrates the long history of Dongyang wood carving art.Through the case study of contemporary museum design and transformation,the cultural context hidden in Caizhai village is excavated,and various problems existing in the original Caizhai village non-relics museum are found.In view of the problems,a new orientation and new ideas suitable for Caizhai village non-relics museum design are put forward to verify the feasibility of this design.Second.Theoretical research report.This chapter combs and studies the history of Dongyang woodcarving and the protection of ancient villages,the development of rural tourism,museum design and decorative patterns of Dongyang woodcarving,explores the new features of the design of private non-heritage museums in Dongyang ancient villages under the background of global tourism culture,and puts forward the traditional Chinese philosophy of "people-oriented" in the design concept of Caizhai village non-heritage museums.Natural aesthetics,thus realizing the leap-forward development of non-heritage museums from traditional to modern.Third.Design process report.Through excavating the non-relics culture of Caizhai Village,combining with the present situation of non-relics museums and the needs of reconstruction,It emphasizes that under the background of traditional Dongyang woodcarving technology and decoration,extracting woodcarving culture elements,blending contemporary life style and woodcarving art,forming original space such as woodcarving experience hall,wood construction exhibition hall,fine collection hall and residential quarters.This design expands the artistic characteristics of Dongyang woodcarving culture,realizes the inheritance and education development of traditional woodcarving technology,and expands local Africa.The protection and inheritance of material cultural heritage has practical significance.Fourth.Design self-evaluation report.This design is the implementation of local policy planning,an exploration of the combination of Dongyang wood carving traditional culture and modern civilization,an attempt to rebirth Caizhai village's original architecture,and the result of the collision of material culture and intangible culture in contemporary design.