| The ancient stage(Ming and Qing Dynasties)architectural decoration art is colorful,not only beautifies the overall image of the stage architecture,increases the appeal of the stage architecture,but also brings visual enjoyment and emotional comfort to the people.The architectural decoration is An important part of the ancient stage,in recent years,people have studied more and more on the ancient stage architecture,but most of them pay attention to the form and structure of the ancient stage,and pay less attention to the ancient stage architecture and its cultural connotation.Wu’an is a famous hometown of local opera culture,and there are many kinds of dramas prevailing.Not only the local famous Ping Tiao,Luo Zi,etc.,but also the dramas introduced in other regions.The prosperity of the development of opera promoted the development of Wu’an stage.It reached its peak in the Ming and Qing Dynasties.According to records,there were more than 400 stages in Wu’an area during the Ming and Qing Dynasties,but due to the decline of opera culture,diversified times,man-made destruction and its own characteristics.As a result,the number of ancient theaters in Wu’an has dropped sharply.Today there are only 21 remaining.In this context,the existing 21 buildings of Wu’an ancient stage in Wu’an are selected as the main research objects.The paper is divided into three parts.The first part,the first chapter,mainly explains the research background,content,purpose,significance,current situation at home and abroad,and sorts out the overall content,and sorts out the research methods and research framework.The second part,the second,third and fourth chapters,firstly sorts out the relevant cultural and cultural functions of Wu’an’s location profile,folklore,architecture,opera culture,statistics and distribution of ancient stage architecture,and then on Wu’an ancient stage building.Decorative components,patterns,colors,decorative functions and humanistic connotations are discussed.The study of the ancient theater building decoration can not be separated from the body of the ancient stage architecture.Finally,through the field survey,photographing and surveying data of Wu’an ancient stage building,the nine well-preserved ancient stage buildings were analyzed,and the Wu’an ancient stage building and architectural decoration were learned.Status quoThe third part is the fifth chapter,which studies the protection and inheritance of the architectural decoration of Wu’an ancient stage.Based on the research results of the previous chapters,from the perspective of protection and inheritance,it analyzes the dilemma and value of Wuan ancient stage architecture decoration and proposes protection.The principles and suggestions for the architectural decoration of Wu’an ancient stage,explore the application of Wu’an ancient stage architectural decoration protection and inheritance.From the perspective of architecture and fine arts,this paper systematically studies the architectural decoration of Wu’an ancient stage with the reading of literature and a large number of field survey data,and draws the flat and elevation maps of nine Wu’an ancient stage buildings.Suggestions and methods for the protection and inheritance of Wuan ancient stage building decoration.The ancient theater buildings in Wu’an area are scattered and mostly located in the mountainous areas.There are few materials about the decorative art of Wu’an ancient stage architecture.The author has a relatively thick research on the architectural art of Wu’an ancient stage architecture.The analysis content does not fully show the Wu’an ancient stage.The uniqueness of architectural art deco requires further research. |